--- url: 'https://kalasudha.com/en-ca/course/indian-slide-guitar/advanced' title: 'Advanced Indian slide guitar course | KalaSudha' author: name: rajeevk url: 'https://kalasudha.com/en-ca/user/4add8741a490747f' date: '2026-10-30T04:21:08+00:00' updated: '2026-11-05T15:30:12+00:00' type: website summary: 'Advanced Indian slide guitar develops full raga presentation, composition and supervised teaching across 36 path topics, ending in a judged concert with tabla.' tags: - Advanced - 'Indian Slide Guitar' image: 'https://files.kalasudha.com/styles/d12_standard/public/mcp-imported/Indian-Slide-Guitar-Course-Lesson-Online-Cohort-KalaSudha.jpg?VersionId=4_zf58621fa0f456059ae110919_f10214affe6e69d00_d20261101_m134546_c003_v0312033_t0008_u01793540746705&h=82966a5b&itok=LQ2_LAXq' published: true og: site_name: KalaSudha 'image:url': 'https://files.kalasudha.com/styles/d12_standard/public/mcp-imported/Indian-Slide-Guitar-Course-Lesson-Online-Cohort-KalaSudha.jpg?VersionId=4_zf58621fa0f456059ae110919_f10214affe6e69d00_d20261101_m134546_c003_v0312033_t0008_u01793540746705&h=82966a5b&itok=LQ2_LAXq' 'image:secure_url': 'https://files.kalasudha.com/styles/d12_standard/public/mcp-imported/Indian-Slide-Guitar-Course-Lesson-Online-Cohort-KalaSudha.jpg?VersionId=4_zf58621fa0f456059ae110919_f10214affe6e69d00_d20261101_m134546_c003_v0312033_t0008_u01793540746705&h=82966a5b&itok=LQ2_LAXq' 'image:type': image/jpeg 'image:width': '1200' 'image:height': '675' 'image:alt': 'A learner seated cross-legged on a patterned rug plays a slide guitar held flat across his lap with a steel bar, a notebook open beside him and a teacher sitting at his side' --- 1. [1Foundation](/en-ca/course/indian-slide-guitar/foundation) 2. --- [2Intermediate](/en-ca/course/indian-slide-guitar/intermediate) 3. --- 3Advanced Indian Slide Guitar Prepared by KalaSudha # Advanced Indian Slide Guitar Advanced Indian slide guitar develops full raga presentation, composition and supervised teaching across 36 path topics, ending in a judged concert with tabla. [Talk to an Advisor](/en-ca/form/learner-enquiry?source_entity_type=node&source_entity_id=1810) [See the modules ](#curriculum) Your path36 path topics across three modules Modules3A–3C LessonsOne-to-one or in a group Ends inSanchari Advanced Diploma Overview ## About Advanced **Advanced Indian slide guitar** develops a full presentation of a Hindustani raga, a melodic framework. You enter after [Intermediate](/en-ca/course/indian-slide-guitar/intermediate) or a placement session that confirms the same skills. You need control of pitch and rhythm before extending the music into a concert programme. Module 3A studies ragas at depth, with gats, compositions within a rhythmic cycle, and faster taans, melodic runs. You compare how players pace a raga and rehearse a full presentation. Rhythmic work develops phrases at different speeds within the cycle. Read the full overviewShow less Module 3B adds named ornaments and tihais, phrases repeated three times to land on the first beat. You develop drut jhala, the fast alternation of melody and drone strings, and study morning and evening raga forms. Rehearsal with tabla prepares you to sustain a longer set. In module 3C you **compose and notate a gat** and teach a Foundation topic under supervision. You plan the order and timings of a **thirty-minute programme**, then perform it with tabla to an audience for judging. Completion leads to KalaSudha's [Sanchari Advanced Diploma](/en-ca/indian-classical-music-certificates). Your path contains **36 topics** across modules 3A, 3B and 3C. Each module has 14 available topics: eight core topics and six electives. Your teacher fills four open slots from electives, their own topics or both. This [KalaSudha-prepared programme](/en-ca/course/indian-slide-guitar) keeps a common core without a single lineage, while teacher-set choices carry style. Learn live online one-to-one or in a group; each topic closes after teacher review. ### What you will be able to do - Develop full raga presentations with composed passages and melodic runs at faster speeds. - Play fast jhala and keep both hands controlled as the pace rises. - Place named ornaments within raga phrases while keeping their pitch clear. - Construct tihais by counting the phrase and gaps to land on the first beat. - Compose and notate a gat, then teach a Foundation topic under supervision. - Plan and perform a judged thirty-minute programme with tabla to an audience. ### Before you start - Complete Intermediate or demonstrate its exit skills in a placement session. - Be able to present a gat with melodic elaboration and slow runs within a steady cycle. - Control meend and gamak in tune and recognise three studied ragas by ear. [Ask about placement ](/en-ca/form/learner-enquiry?source_entity_type=node&source_entity_id=1810) Modules ## The three Advanced modules Develop a full raga presentation and refine ornament and rhythm. The final module brings composition and supervised teaching together with planning, rehearsal and a judged concert performance. 1. 3A ### Module 3A: Raga development at depth 8 core + 4 teacher-set from 14 topics Study your first two ragas at depth and develop a gat with faster melodic runs. Compare how different players pace a full raga presentation. Practise rhythmic divisions in the suggested Teentaal cycle, then rehearse a complete rendering while keeping both hands controlled. 1. 1 How to Render a Raga: Lines ComparedCore The order of a full rendering (alaap, jod, jhala, gat) and how two slide lines pace it differently. 2. 2 Advance Learning in the First RagaCore Take the first raga (suggested: Yaman) to full depth: rare phrases, the upper register, the vistar order. 3. 3 Composition and Taan Patterns in the First RagaCore A gat in the first raga with six taans at fast laya. 4. 4 Alankar at SpeedCore The alankar set at drut laya, both hands clean. 5. 5 The Intricacies of Teentaal: Divisions and LaykariCore Teentaal's vibhags as places to start and end phrases, and phrases in tigun and chaugun. 6. 6 Advance Learning in the Second RagaCore The second raga (suggested: Bhupali) at full depth. 7. 7 Guided Rendering RehearsalCore A full fifteen-minute rendering of one raga to your teacher, stopped and corrected. 8. 8 Module 3A Review: Rendering and Hand Under LoadCore Present a rendering, and check that posture and bar contact hold at speed. 9. 1 Composition and Taan Patterns in the Second RagaElective A gat in the second raga with six taans. 10. 2 Advance Learning in a Third RagaElective A third raga (suggested: Durga) at full depth. 11. 3 Double Strings TogetherElective Two main strings sounded together under the bar, both in tune. 12. 4 Style: Maihar Drills at Drut LayaElective The Allauddin Khan palta set at drut laya. 13. 5 Style: Da-Ra Coordination While SlidingElective Right-hand strokes kept even while the bar moves, as the Kabra instrument asks. 14. 6 Style: Mohan veena taansElective Play taan shapes on the Mohan veena, with its harmonic strings sounding underneath. Show 10 more topics Your teacher fills 4 slots from the electives, their own topics or both. 2. 3B ### Module 3B: Ornament and rhythmic control 8 core + 4 teacher-set from 14 topics Study morning and evening raga forms, then develop a morning raga chosen with your teacher. Place named ornaments in phrases and practise tihais, repeated phrases that land on the first beat. Build fast jhala and rehearse a longer set with tabla. 1. 1 Morning and Evening FormsCore How morning and evening ragas differ in swara, movement and mood. 2. 2 Advance Learning in a Morning RagaCore A morning raga (suggested: Ahir Bhairav) at full depth. 3. 3 Composition and Taan Patterns in the Morning RagaCore A gat in the morning raga with six taans. 4. 4 Ornament Drills: Gamak, Murki and KrintanCore Gamak, murki and krintan as named drills, then placed on request in a phrase. 5. 5 Laykari and Tihai PlacementCore A tihai is a phrase played three times to land on sam. Place tihais at the end of phrases. 6. 6 Drut JhalaCore Jhala at fast laya, building to a close. 7. 7 Performance Simulation with TablaCore A twenty-minute set with a tabla player, run as if to an audience. 8. 8 Module 3B ReviewCore Present a morning-raga rendering with ornaments, tihais and jhala. 9. 1 Advance Learning in an Evening RagaElective An evening raga (suggested: Bihag) at full depth. 10. 2 Ektaal: a Vilambit Gat FrameElective Count Ektaal at slow laya and fit a gat line into it. 11. 3 Listening: One Raga, Three RenditionsElective Three renditions of one raga by different instrumentalists, compared for structure and pacing. 12. 4 Style: Ravi Shankar, Barun Kumar Pal and the Sitar LineElective Pandit Ravi Shankar on sitar and Pandit Barun Kumar Pal on Hansa veena in one raga. 13. 5 Style: vocal-led taansElective Build taans from sung phrases in vocal music. 14. 6 Style: Gamak Taans of the Sarod LineElective Taans with gamak on every swara, from the Maihar sarod repertoire. Show 10 more topics Your teacher fills 4 slots from the electives, their own topics or both. 3. 3C ### Module 3C: Preparing the concert 8 core + 4 teacher-set from 14 topics Refine your concert raga and practise pitch control through ornament. Compose and notate a gat, then teach a Foundation topic under supervision. Plan the programme and rehearse with tabla before presenting a judged thirty-minute concert to an audience. 1. 1 Review of Advanced Repertoire and Weak LinksCore Find the weakest raga or technique from 3A and 3B and work on it. 2. 2 Advance Learning in a Concert RagaCore The raga you will present (suggested: Charukeshi), taken to full depth with its gat and taans. 3. 3 Andolan and Pitch Under OrnamentCore A slow swing on a swara (andolan), with the pitch kept true under every ornament. 4. 4 Tihai ArithmeticCore Build tihais by counting: the phrase, the gaps and the landing, across three cycles. 5. 5 Composing a GatCore Compose a gat in a raga you play, notate it, and play it. 6. 6 Teaching a Foundation Topic Under SupervisionCore Teach one Foundation topic to a learner with your teacher watching. 7. 7 Concert Rehearsal: Programme and Running OrderCore Set the thirty-minute programme, the order and the timings, and run it with tabla. 8. 8 The Concert: Judged Stage PerformanceCore A thirty-minute programme with tabla to an audience, judged. 9. 1 Vistar: Extended ElaborationElective Twenty minutes of vistar that keeps building without repeating itself. 10. 2 Advance Learning in a Seasonal RagaElective A monsoon raga (suggested: Megh) at full depth. 11. 3 Jhaptaal: a Gat in Ten BeatsElective Count Jhaptaal and play a gat in it. 12. 4 Style: A Dhun to Close the SetElective A light-classical dhun of the kind the Kabra line closes a programme with. 13. 5 Style: light-classical slide with accompanimentElective Play a light-classical piece on the Mohan veena with an accompanist. 14. 6 Style: A Sarod-Line Gat with TaansElective A gat from the Maihar sarod repertoire, played with taans on the slide. Show 10 more topics Your teacher fills 4 slots from the electives, their own topics or both. Why Advanced ## What Advanced builds - ### Raga development at depth Build a full raga presentation and compare how players shape its pace. Your teacher reviews the phrasing and the control of both hands under faster playing. - ### Composition and supervised teaching Write and play your own gat, then teach a Foundation topic with your teacher watching. Both are core outcomes that every Advanced learner works towards. - ### Concert work with tabla Plan the programme and its timings, then rehearse with tabla. The final judged performance brings the level's musical work into a thirty-minute set for an audience. Lessons ## Ways to learn ### One-to-one Learn at your own pace. You book online lessons through KalaSudha in your own time zone. [Register interest in 1:1 lessons ](/en-ca/course/indian-slide-guitar/advanced/show-interest) ### In a group Learn in a group on a timetable. [Ask about group lessons ](/en-ca/form/learner-enquiry?source_entity_type=node&source_entity_id=1810) Teachers ## Teachers for Advanced - Indian Slide Guitar ### [Pandit Debasis Chakroborty](/en-ca/artist/debasis-chakroborty) Senia-Maihar Gharana Pandit Debasis Chakroborty, an Indian slide guitarist of the Senia-Maihar gharana, is the senior-most disciple of Pandit Brij Bhushan Kabra, and his playing reflects Kabra's style. Teaches [Indian Slide Guitar ](/en-ca/course/indian-slide-guitar) - [Indian Slide Guitar: Foundation](/en-ca/course/indian-slide-guitar/foundation) - [Indian Slide Guitar: Intermediate](/en-ca/course/indian-slide-guitar/intermediate) - [Indian Slide Guitar: Advanced](/en-ca/course/indian-slide-guitar/advanced) [View profile ](/en-ca/artist/debasis-chakroborty) Questions ## Questions about Advanced Entry, pace, assessment and what you show to finish the level. ### What should I already be able to play before Advanced Indian slide guitar? Advanced Indian slide guitar starts after [Intermediate](/en-ca/course/indian-slide-guitar/intermediate) or a placement session showing the same skills. Control meend glides and gamak oscillations in tune, and play jod with a steady pulse. You should also be able to play a gat, a composition within a cycle, with melodic elaboration and slow runs. Your teacher checks recognition of three ragas by ear and rhythmic work with tabla before placing you. ### How are students of online Indian classical music courses assessed? On KalaSudha's online Indian classical music courses, teachers assess students topic by topic. Each topic credits named skills, and the teacher closes it only after reviewing the student's work. Foundation assessment uses practical work and spoken questions. Intermediate adds written theory, and Advanced adds theory papers and a judged stage performance. A module certificate follows each module, and KalaSudha issues an award at the end of each level. ### What does a KalaSudha certificate show? A KalaSudha certificate shows the discipline and the skills the learner attained. A certificate earned on a KalaSudha course also records the learning hours. It names the teacher and tradition the learner studied under, as a record of where they learned. KalaSudha issues every award itself. The taught levels lead to the Sthayi Certificate at Foundation, the Antara Diploma at Intermediate and the Sanchari Advanced Diploma at Advanced. ### What must I demonstrate to complete Advanced Indian slide guitar? Advanced Indian slide guitar completion includes a judged thirty-minute programme with tabla to an audience. You also compose, notate and play a gat, a composition within a rhythmic cycle, and teach a Foundation topic under supervision. Your teacher reviews full raga presentation, ornaments and rhythmic control across your topic path. Each topic closes after review. ### Still have questions? Our support team can help you find the right answer. [Contact support](/en-ca/form/learner-enquiry?source_entity_type=node&source_entity_id=1810) Next steps ## Ready to begin Advanced? Tell us what you want to learn and where you are today. An academy advisor will help you find a good next step. [Talk to an Advisor](/en-ca/form/learner-enquiry?source_entity_type=node&source_entity_id=1810) [ Back to Indian Slide Guitar](/en-ca/course/indian-slide-guitar)