---
url: 'https://kalasudha.com/en-in/instrument/kanjira'
title: Kanjira
author:
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date: '2026-06-22T13:41:23+00:00'
updated: '2026-10-25T01:56:43+00:00'
type: product
summary: 'The kanjira is the South Indian frame drum of Carnatic music, played beside the mridangam: a wooden frame with metal jingles and a lizard-skin or goat-skin…'
tags:
  - Membranophones
  - Kanjira
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---
   [  Instruments ](/en-in/instruments)     Kanjira  

1. [  Home ](/en-in)
2. 
3. [ Instruments ](/en-in/instruments)
4. 
5. Kanjira
 
   Membranophones   Membranophone / frame drum   Intermediate   South India (Tamil Nadu)   Carnatic classical   Advanced  

# Kanjira

 

The kanjira is the South Indian frame drum of Carnatic music, played beside the mridangam: a wooden frame with metal jingles and a lizard-skin or goat-skin head wetted for bass.

  Price Range 

 £250 - £600

Entry-level kanjiras with synthetic heads start at around £250, and professional instruments with hand-selected frames cost £350 to £600. Choose a goat-skin or synthetic head, as monitor lizard skin is protected, and listen to the bass after wetting and to the jingles before you buy.

 

 [ Request Quote ](/en-in/form/custom-instrument-quote?instrument_id=378) 

 

  

 

 

  

 

 

  ## Explore the discipline

Meet the musical tradition, its practitioners and ways to learn.

 

- [ Kanjira · Carnatic Classical  ](/en-in/instrumental/carnatic-classical/kanjira)
 
 

   ## History &amp; Origins

 



 

### What is a kanjira?

The **kanjira** (also khanjira or ganjira) is the small, single-headed South Indian frame drum of **Carnatic classical music**, and a KalaSudha kanjira suits the student percussionist and the concert accompanist. At most Carnatic concerts it sits beside the [mridangam](/instrument/mridangam) as supporting percussion, with the [ghatam](/instrument/ghatam) and morsing; it plays sharp rhythmic counterpoint against the mridangam. A wooden frame of about 7–8 inches carries the head on one face and metal jingles in a single slot in the rim.

### What makes a great kanjira

The traditional head was **Bengal monitor lizard** skin (Varanus bengalensis), thin and dense, for a cutting tone and wide **pitch bend**. The species is now protected under Schedule I of India's Wild Life (Protection) Act and CITES Appendix I, so makers fit goat skin or synthetic heads with little change to the feel. Players dab water inside the head before playing: it lowers the tension, tames the very high dry pitch and brings out the favoured bass.

### How it is played

The fingers of one hand strike the head while the holding hand presses the inner skin to bend the pitch mid-stroke, for sharp attacks and sustained tonal glides rare among frame drums. Selvaganesh, Bangalore Amrit and T. H. Subash Chandran have taken its solo vocabulary far beyond accompaniment. Start on one of our [kanjira](/instrumental/carnatic-classical/kanjira) study paths.



 

Its name is the Tamil word for the drum. The kanjira belongs to the frame drum family found across the subcontinent and was a folk instrument before it reached the classical stage, where its high pitch was once judged unsuited. By most accounts Manpoondia Pillai of Pudukkottai brought it into Carnatic concerts, with dates from the 1880s to the early 20th century. A lantern bearer who learned drumming from the [thavil](/instrument/tavil) player Mariappan, he settled on monitor lizard skin, added jingles and adapted thavil technique. He founded the Pudukkottai school of percussion; his disciples included Dakshinamurthy Pillai.

For most of its history the kanjira held a supporting role beside the mridangam. In the 20th century Raghavan (1912–1985), called the father of modern kanjira playing, built a systematic technique. His students extended it, and by the late 20th century concert organisers accepted kanjira concerts. Its fast strokes, pitch bends and complex patterns suit korvais and kalpana swaras as the mridangam's do. G. Harishankar (1958–2002) received the Sangeet Natak Akademi Award for kanjira in 2001.

Legal protection of the Bengal monitor ended lizard-skin heads on new drums from the 1980s; older players still use original heads.



 

    ## Construction &amp; Craftsmanship

 



 

### Construction Process

The frame is a shallow wooden ring of jackfruit (*Artocarpus heterophyllus*) or mango wood, about 7–8 inches across and 2–3 inches deep, with the head on one face. A single slot in the rim holds the jingles, one disc or coin on many frames and a pair or several on others; they sit loose with no hardware.

Makers glue the head to the rim with no tensioning system. The traditional head is Bengal monitor lizard skin (*Varanus bengalensis*), a dense membrane 0.1–0.15 mm thick that gives a sharp attack and wide pitch range. The species is now protected under Schedule I of India's Wild Life (Protection) Act and listed on CITES Appendix I, so makers fit goat skin or synthetic heads in its place.

With no rim tuning, the only pitch adjustment comes from water: players wet the inside of the head to lower its tension and bring out the bass.



 

 

 ### Maintenance &amp; Care

- **After playing:** Wipe the head with a dry cloth to remove sweat and oils that degrade the skin.
- **Storage:** Keep the kanjira in a padded case away from sun and heat, which dry the skin and can crack it or lift it from the rim.
- **Wetting:** Before playing, dab clean water inside the head with a damp finger to lower its tension and bring out the bass. Over-wetting flattens the tone and takes time to reverse.
- **Synthetic heads:** If one wrinkles or loses resonance, let it dry in open air before playing.
- **Jingles:** Check that they move freely, and clean a sticking slot with a dry brush, never oil, which reaches the skin.



 

 

 

 

  

 ###   Quick Facts 

  Category 

 Membranophones 

 

  Family 

 Membranophone / frame drum 

 

  Difficulty 

 Intermediate 

 

  Origin 

 South India (Tamil Nadu) 

 

 Origin 

 South India (Tamil Nadu) 

 

 Classification 

 Frame drum, membranophone 

 

 Playing style 

 Right-hand finger strokes; left-hand pitch bending near the rim 

 

 Tuning method 

 Wetting and drying the drumhead; water inside the head lowers tension and pitch 

 

 Notable performers 

 Selvaganesh, Bangalore Amrit, T. H. Subash Chandran, G. Harishankar 

 

 Tradition 

 Carnatic classical music 

 

 

 

 ###   Price Range 

 £250 - £600 

Entry-level kanjiras with synthetic heads start at around £250, and professional instruments with hand-selected frames cost £350 to £600. Choose a goat-skin or synthetic head, as monitor lizard skin is protected, and listen to the bass after wetting and to the jingles before you buy.

 [ Request Quote ](/en-in/form/custom-instrument-quote?instrument_id=378)  

  

 

 ## Technical Specifications

Detailed specifications for the Kanjira

 

  Physical dimensions   Construction materials   Sound characteristics   Playing technique   Tuning and setup  

   Physical dimensions     Physical dimensions specifications
| Specification | Value |
|---|---|
| Frame diameter | 7–8 inches (18–20 cm) |
| Frame depth | 2–3 inches (5–7.5 cm) |
| Head diameter | 7–8 inches (matches frame) |
| Weight | 150–250 g |
| Jingle count | 1 (a pair or 3–4 discs on some instruments) |

 

 

    Construction materials     Construction materials specifications
| Specification | Value |
|---|---|
| Frame wood | Jackfruit (Artocarpus heterophyllus) or mango wood |
| Head material | Goat skin or synthetic membrane today; Bengal monitor lizard skin (Varanus bengalensis) traditionally, now protected |
| Head thickness | 0.1–0.15 mm |
| Jingle material | Brass, bronze, or steel disc |
| Jingle diameter | 25–35 mm |

 

 

    Sound characteristics     Sound characteristics specifications
| Specification | Value |
|---|---|
| Pitch range | Variable (tuned by skin moisture) |
| Pitch bend range | Up to 3 semitones |
| Tone character | Sharp attack, short sustain |
| Dynamic range | Pianissimo to forte |
| Resonance type | Membrane resonance with jingle overtones |

 

 

    Playing technique     Playing technique specifications
| Specification | Value |
|---|---|
| Primary striking hand | Right |
| Stroke types | Bass stroke, open tone, slap, mute |
| Pitch control | Left-hand pressure on inner skin surface |
| Grip | Frame rests in left hand with thumb above the rim |
| Difficulty level | Advanced |

 

 

    Tuning and setup     Tuning and setup specifications
| Specification | Value |
|---|---|
| Tuning method | Skin moisture adjustment |
| Pre-performance | Wet skin with clean water 5–10 minutes before playing |
| Optimal humidity | 60–70% RH for stable pitch |
| Skin drying time | 10–20 minutes at room temperature |
| Replacement heads | Synthetic or goat-skin heads fit standard 7–8 inch frames |

 

 

  

 

  ## Available Instruments

Browse our curated selection of Kanjiras

Showing 1 instruments

 

  

 

 

 

### Kanjira

 

£250.00

 

 [ Request Quote ](/en-in/form/custom-instrument-quote?instrument_id=378&product_id=54) [Get Details](/en-in/product/54) 

 

   

### Looking for Something Unique?

Contact us for custom-made instruments tailored to your specific requirements

 [  Contact for Custom Order ](/en-in/form/custom-instrument-quote?instrument_id=378)  

 

   ##  Your Journey to Kanjira Mastery 

 

 Follow this structured path from absolute beginner to accomplished performer



 1 

 

###  Basics of frame drum technique 

 

 Learn to hold the frame in the left hand, thumb above the rim, and the foundational right-hand finger positions. Practise the basic single-stroke patterns of Carnatic rhythmic cycles, aiming for a clear, even sound before speed. 



 

  20%  

 

 

 

 2 

 

###  Tuning the kanjira 

 

 Learn how moisture changes pitch: dab water inside the head to lower its tension and find the bass tone, and set the head to the right pitch before joining an ensemble. 



 

  40%  

 

 

 

 3 

 

###  Carnatic tala system 

 

 Study the primary Carnatic talas, Adi, Rupaka and Misra Chapu, and sustain each cycle at a steady tempo. Then learn the kanjira's place beside the mridangam, following its lead in the supporting percussion role it shares with the ghatam and morsing. 



 

  60%  

 

 

 

 4 

 

###  Pitch bending and meend 

 

 Develop the holding hand's pressure on the inner skin, near the rim, to bend the pitch while the other hand plays, working towards the sliding tones skilled players draw from the kanjira. Fit these meend-like inflections into standard stroke patterns without losing the cycle. 



 

  80%  

 

 

 

 5 

 

###  Kalpana swara, tani avartanam and solo playing 

 

 Learn the improvised structures of Carnatic percussion: build korvai sequences, practise moras and prepare for the tani avartanam, where the mridangam opens, the others take turns and all converge on a cadential ending. Develop the solo vocabulary of kanjira concerts. 



 

  100%  

 

 

 

 

 



 

   ##  Frequently Asked Questions 

 

 

 

   What is the kanjira, the frame drum of Carnatic music?    The **[kanjira](/instrument/kanjira)** is a single-headed South Indian frame drum of the tambourine family. Its circular wooden frame has a slot holding a small set of metal jingles. In Carnatic concerts it supports the mridangam, often alongside or in place of the ghatam and morsing, and it has long served in folk and bhajan music.



 

 

  

   What skin is a kanjira head made from?    The traditional **[kanjira](/instrument/kanjira)** head is the skin of the Bengal monitor lizard, and its belly skin has long been used. Manpoondia Pillai, who shaped the modern instrument, experimented with woods and skins before settling on monitor lizard skin. Goat skin and synthetic heads are now the common replacements.



 

 

  

   How is a kanjira tuned?    A **[kanjira](/instrument/kanjira)** is not tuned to a fixed pitch, unlike the mridangam or ghatam, and untreated it sounds very high. Players sprinkle or apply water to the inside of the head, which reduces its tension, lowers the pitch and brings out the bass tone they favour. Players therefore judge a kanjira on its bass response after wetting.



 

 

  

   Who brought the kanjira into Carnatic classical music?    Manpoondia Pillai of Pudukkottai is credited with bringing the **[kanjira](/instrument/kanjira)** into Carnatic concert music around the 1880s and shaping its modern form. He learned drumming from the thavil player Mariappan, settled on monitor lizard skin, reduced the jingles to a single set and adapted thavil technique to the kanjira. He founded the Pudukkottai school of percussion.



 

 

  

   How does the kanjira differ from a tambourine?    The **[kanjira](/instrument/kanjira)** belongs to the tambourine family of frame drums. It is small, about 7 to 9 inches across, with a single slot holding its jingles. Players wet the inside of its head, traditionally lizard skin and now goat or synthetic, to lower the pitch and bring out a bass tone.



 

 

  

   What should I check when buying a kanjira?    Because a **[kanjira](/instrument/kanjira)** has no fixed pitch, players judge each drum on its bass response after wetting, its head material and its jingle response, and serious players keep a spare. Goat skin and synthetic heads are now the common choices. Frames run about 7 to 9 inches across and 2 to 4 inches deep.



 

 

  

   What role does the kanjira play in a Carnatic concert?    The **[kanjira](/instrument/kanjira)** is a supporting percussion instrument, an upapakkavadyam, to the mridangam in Carnatic concerts, often alongside or in place of the ghatam and morsing. It began appearing on classical stages from the late 19th to the early 20th century, after being thought unsuited to classical music because of its high pitch. It also serves folk and bhajan music.



 

 

  

   Who are the best-known kanjira players?    Manpoondia Pillai of Pudukkottai brought the **[kanjira](/instrument/kanjira)** into Carnatic concerts, and his disciples Dakshinamurthy Pillai and Muthiah Pillai played it alongside the mridangam, thavil and ghatam. Later, G. Harishankar's main disciples include C. P. Vyasa Vittala, Bangalore Amrit and Nerkunam Sankar. T. H. Subash Chandran plays kanjira among several percussion instruments.



 

 

  

 

 Have more questions? Contact our support team and we'll be happy to help!

 

 

  

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Get personalized quotes and explore courses

 

 

 [Request Quote](/en-in/form/custom-instrument-quote?instrument_id=378) 

 

 

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