Chordophones Veena/Lute Family Advanced North India (18th Century formalization) Concert Grade Traditional Craftsmanship

Sitar

(सितार)

Hand-crafted from seasoned tonewoods and gourds, the Sitar features 18-21 strings and movable frets, engineered to produce a world-renowned, microtonal harmonic richness.

Practitioners

5

Videos

6

Price Range

£250 - £3,000

Student instruments start at £$250. Professional concert-grade models by master makers often cost £3,000+ or more.

Sitar, Indian string instrument

Meet the musical tradition, its practitioners and ways to learn.

History & Origins

A professional Sitar is a wonder of organic engineering. The foundation of the instrument is the Tumba (resonator), made from a large, dried calabash gourd (Lagenaria siceraria). At KalaSudha, we source our gourds exclusively from the Miraj region of Maharashtra, where the soil and climate produce gourds with the thick, uniform walls necessary for superior acoustic projection. 

The Tabli (soundboard) is the most important component for sound quality. It is hand-carved from well-seasoned Toon (Indian Mahogany) aged for at least 15 years. The thickness of the Tabli must be graduated with accuracy; it must be strong enough to support the downward pressure of the bridge, which carries the tension of over 20 strings, while remaining flexible enough to vibrate with the slightest touch. Our luthiers use traditional hand planes to ensure the wood's grain is precisely aligned for maximum resonance.

The defining characteristic of the Sitar is its unique "buzzing" or "twangy" sound. This is not a byproduct of the strings, but a result of the Jawari, the elaborate shaping of the main bridge. The bridge, typically made of camel bone or deer antler, is carved with a slight, particular curvature. As the string vibrates, it grazes this flat surface, producing a rich array of upper harmonics. 

A "Deep Jawari" produces a very resonant, buzzing tone favoured by the Vilayat Khan school, while a "Closed Jawari" produces a clearer, more bell-like tone favoured by the Ravi Shankar school. At KalaSudha, we offer custom Jawari services, allowing the professional to "voice" their instrument according to their particular Gharana requirements. This level of technical customisation establishes us as an eminent authority for South Indian music instruments and North Indian specialists alike.

The Sitar uses a complex array of strings that include steel, brass, and bronze. The main playing string is typically made of high-tensile steel to withstand the pulling of notes, up to five semitones on a single fret. The Taraf (sympathetic strings) are tuned to the notes of the Raga and vibrate automatically when the corresponding note is played on the main string. 

This sympathetic resonance gives the Sitar its "celestial" aura. From a business perspective, the quality of the strings and the accuracy of the Kuntis (tuning pegs) are of utmost importance. Our instruments feature pegs made of premium Rosewood or Ebony, hand-fitted to the neck using friction-lock techniques that ensure the Sitar stays in tune even under the heat of stage lights. 

A professional Sitar is a high-value asset that calls for meticulous maintenance. Because it is made of organic materials, gourd, wood, bone, and silk, it is highly susceptible to humidity. We provide our clients with a comprehensive maintenance guide, emphasising the use of digital hygrometers and specialised cases. 

For the UK and international markets, we offer "climate-treated" instruments. These Sitars have been acclimatised to reduced humidity levels to prevent the Tumba from cracking or the Tabli from warping. We also specialise in the Gulu joint, the point where the neck meets the gourd. This is the "Achilles' heel" of the Sitar; our professional models feature reinforced Gulu construction to ensure the instrument survives international travel and varying climates.

Construction & Craftsmanship

Materials Used

Miraj Tumba Seasoned Toon Polished Jawari Spring Brass French Polish

Construction Process

The construction of a professional Sitar is a slow, artisanal process that requires the perfect marriage of organic materials and mechanical accuracy. It commences with the selection of the Tumba (resonating chamber), made from a large, dried calabash gourd (Lagenaria siceraria). These gourds are grown in areas such as Miraj, Maharashtra, where the climate allows for the thickness and uniformity required for deep resonance. 

The neck (Dandi) and the faceplate (Tabli) are hand-carved out of seasoned tonewoods, most commonly Toon (Indian Mahogany) or, in rarer vintage models, Teak. The wood must be seasoned for years to ensure it does not warp under the high tension of the 20+ metal strings. The joint connecting the neck to the resonator, known as the Gulu, is a critical point of structural strength; it is commonly reinforced and finely carved to serve as the aesthetic centrepiece of the instrument. 

A hallmark of high-end craftsmanship is the Jawari, the shaping of the main bridge. This is not a simple cut but a microscopic "slope" carved into a piece of camel bone or deer antler. A master luthier must spend hours listening to the string's vibration as they sand the bridge to achieve the perfect open sound that gives the Sitar its heavenly harmonic profile. Finally, the instrument is finished with French Polish or shellac, which protects the wood while remaining flexible enough to allow the instrument to breathe and resonate freely.

Maintenance & Care

As an instrument made primarily of gourd and thin tonewood, the Sitar is highly sensitive to changes in the environment. Proper humidity control is the most vital aspect of its care. We recommend maintaining a Relative Humidity (RH) of 45-55%. In dry climates, the gourd can become brittle and crack, while too much humidity in monsoon regions can cause the wood to swell, leading to a choked sound or bridge warping. 

Cleaning is essential for the longevity of the frets and strings. After every session, players should wipe the strings with a soft, dry cloth to remove oils and perspiration that lead to corrosion. The Pardas (frets) are tied with thread that can loosen over time; checking these ties and occasionally applying a drop of mineral oil to the friction pegs (Kuntis) ensures the instrument stays in tune during performances. Finally, the Jawari bridge will eventually develop grooves from string friction, which can ruin the sound. An annual "setup" by a professional luthier is recommended to re-polish the bridge surface and ensure the sound stays immaculate for a lifetime of play.

Playing Techniques

Mizrab Bol (Plectrum Strokes)

Beginner

Mastering the fundamental inward (Da) and outward (Ra) strokes using the wire plectrum to create rhythmic clarity.

Meend (Lateral Pulling)

Intermediate

Mastering the art of the continuous slide between notes to achieve vocal-like continuity and microtonal precision.

Krintan (Hammer-on/Pull-off)

Intermediate

A finger-plucking technique where the left hand produces notes without a plectrum stroke, essential for rapid, ornamented passages.

Gamaka (Oscillation)

Advance

Executing traditional microtonal oscillations and ornaments essential to the authentic character of a Raga.

Jhala (Rhythmic Climax)

Advance

A high-speed technique involving rapid-fire striking of the Chikari (drone) strings in coordination with the main melody to build a rhythmic crescendo.

Zamzama (Grace Notes)

Advance

Executing rapid, sharp clusters of notes in quick succession to add intricate texture and "sparkle" to a phrase.

Technical Specifications

Detailed specifications for the Sitar

Physical Dimensions
Physical Dimensions specifications
Specification Value
Overall Length 1220mm – 1270mm (Approx. 48 – 50 inches)
Tabli (Soundboard) Width 330mm – 360mm
Tumba (Resonator) Diameter 300mm – 350mm
Neck (Dandi) Width 85mm – 95mm
Total Weight 3.5kg – 5kg (Depending on wood density and second resonator)
Material Composition
Material Composition specifications
Specification Value
Main Resonator (Tumba) Dried Miraj Calabash Gourd (Lagenaria siceraria)
Neck and Tabli Seasoned Toon Wood (Indian Mahogany, aged 15+ years)
Bridge Material Hand-polished Camel Bone or Deer Antler
Tuning Pegs (Kuntis) Hand-turned Rosewood or Ebony
Frets (Pardas) High-tensile Spring Brass or Stainless Steel
Inlays Celluloid or ethically sourced Bone
Adhesive Traditional Hot Hide Glue or natural resin-based binders
Surface Finish Natural French Polish (Shellac-based)
Bridge and Setup (Jawari)
Bridge and Setup (Jawari) specifications
Specification Value
Main Bridge (Bada Ghora) Flat "Jawari" slope for harmonic resonance
Sympathetic Bridge (Chota Ghora) Secondary bone bridge for Taraf resonance
Jawari Profile Open (Deep/Buzzing) or Closed (Clear/Bell-like) based on Gharana
Action Height 10mm – 12mm at the 12th fret (To allow for lateral pulling/Meend)
Fret Type Curved, movable pardas hand-tied with silk or nylon thread
String and Tuning
String and Tuning specifications
Specification Value
Total String Count 18 – 21 (Depending on model)
Main Playing Strings 6 – 7 (Steel, Brass, and Bronze)
Sympathetic Strings (Taraf) 11 – 13 (High-tensile Steel)
Main Tuning (Kharaj-Pancham) Ma-Sa-Pa-Sa-Pa-Sa-Sa
String Gauges Main Steel (0.012"), Kharaj (0.028" – 0.032" Bronze)
Acoustic Characteristics
Acoustic Characteristics specifications
Specification Value
Primary Timbre Complex harmonic richness with a characteristic "buzz"
Sustain Duration 8 – 12 seconds on the main playing string
Microtonal Capability Up to 5 semitones of lateral pull (Meend) on a single fret
Sympathetic Feedback High (Self-resonating harmonics from Taraf strings)

Your Journey to Sitar Mastery

Follow this structured path from absolute beginner to accomplished performer

1

Foundation & Posture

Establish the physical groundwork and fundamental stability required for Hindustani performance.

20%
2

Scale Practice (Sargam)

Develop accuracy in note production and finger positioning on the frets.

40%
3

Meend & Raga Fundamentals

Study the art of lateral string pulling and the foundational structures of Ragas.

60%
4

Gat & Compositions

Apply technical skills to fixed melodic forms within rhythmic cycles (Taal).

80%
5

Advanced Techniques & Jhala

Transition into professional-level improvisation and high-speed rhythmic climaxes.

100%

Featured Artists

Renowned Sitar players and performers

Dr Lovely Sharma

Dr-Lovely-Sharma
Dr Lovely Sharma plays sitar at Dayalbagh Educational Institute, UP. First woman sitarist with a D.Litt., Kala Bhushan awardee, former Vice-Chancellor of Raja Mansingh Tomar Music & Arts University.
Sitar
Senia-Maihar Gharana

Shakir Khan

Shakir-Khan-Sitar
Son of Padma Shri Ustad Shahid Parvez Khan, Shakir Khan is the eighth generation of the Etawah Gharana, performing at India's premier festivals and internationally.
Sitar
Etawah Gharana

Adnan Khan

Adnan-Khan-Sitar-KalaSudha
Grammy-nominated sitarist Adnan Khan plays in the gayaki ang, trained in Delhi by his grandfather Ustad Zafar Ahmed Khan, his father Ustad Saeed Khan and the singer Ustad Mashkoor Ali Khan.
Sitar

Jonathan Mayer

Jonathan-Mayer
Jonathan Mayer began playing music at the age of five, learning the violin from his grandfather, Albert Hepton, piano from James Methuen-Campbell, and composition from his father. At sixteen, he took
Sitar

Tommy Khosla

Tommy-Khosla
Tommy Khosla is a sitarist and composer who blends sounds from Latin jazz, hip-hop and electronic music into his playing. He is the founder of Jawari band and Vadi Records. His debut solo album
Sitar

Upcoming Events

Experience live Sitar performances

Past Events

Browse our archive of past performances

Frequently Asked Questions

What is a sitar?

A long-necked lute with a gourd body, movable curved frets, and a set of sympathetic strings running beneath the playing strings.

The curved frets let a player pull a string sideways and bend one note into another several steps away. That bend, the meend, is where most of the expression lives, and the sympathetic strings keep ringing behind it.

Have more questions? Contact our support team and we'll be happy to help!

Stay close

Keep KalaSudha close.

Receive news of concerts, learning opportunities, recordings and the work taking shape at KalaSudha.
  • Concert news
  • Learning opportunities
  • Recordings and stories

We respect your privacy. Unsubscribe at any time.