Explore Ragas

Discover the rich melodic frameworks of Hindustani classical music

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28 ragas found

Bhimpalasi

भीमपलासी

'n S g m P n S' | S' n D P D m P g m g R S

Thaat: Kafi Afternoon Audava-Sampoorna
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.

Bibhas

विभास

S r G P d S' | S' d P G r S

Thaat: Bhairav Morning Audava-Audava
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.

Bilaskhani Todi

बिलासखानी तोड़ी

S r g P d S' | S' r' n d m g r g r S

Thaat: Bhairavi Morning Audava-Sampoorna
Bilaskhani Todi from Bhairavi/Todi thaat, named after Bilas Khan, son of Miyan Tansen.

Bilawal

बिलावल

S G R G m P D N S' | S' N D n D P m G R G m G R S

Thaat: Bilawal Morning Sampoorna-Sampoorna
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.

Charukesi

चारुकेशी

S R G m P d n S' | S' n d P m G R S

Thaat: Kafi Afternoon Sampoorna-Sampoorna
Charukesi, a Carnatic seven-note raga with komal dha and ni.

Deshkar

देशकार

S R G P D S' | S' D P R G R S'D S

Thaat: Bilawal Morning Audava-Audava
Deshkar from Bilawal thaat, uttaranga-oriented pentatonic raga similar to Bhupali.

Gaur Sarang

गौर सारंग

S G R m G P M D P S' | S' N D P M P m G R G R m G P R S

Thaat: Kalyan Midday Shadava-Sampoorna
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.

Gujari Todi

गुजरी तोड़ी

S r g M d N S' | S' N d M g r g r S

Thaat: Todi Morning Shadava-Shadava
Gujari Todi from Todi thaat, lacking Pa with harmonic strength on komal dha.

Jaunpuri

जौनपुरी

S R m P d m P d n S' | S' n d P d m P g R S

Thaat: Asavari Morning Shadava-Sampoorna
Jaunpuri from Asavari thaat, similar to Asavari with different harmonic emphasis.

Madhuvanti

मधुवंती

S g M# P N S' | S' N D P M# g R S

Thaat: Todi Late afternoon Audava-Sampoorna
A majestic late-afternoon raga of the Todi Thaat. Featuring a dominant Pancham and Teevra Madhyama, it balances romantic Shringar Rasa with technical depth. Known globally for its similarity to the Ukrainian Dorian mode, it is the definitive melody of the "Golden Hour."

Megh

मेघ

S R m P n S' | S' n P m R S

Thaat: Kafi Morning Audava-Audava
An ancient, pentatonic monsoon raga of the Kafi Thaat. Defined by its thunderous majesty and deep Rishabh oscillations, it is the elemental sound of the rain. Known globally for its "Open Interval" geometry, it evokes Heroic and Devotional Rasas, making it the premier melody for the Indian monsoon.

Nat Bhairav

नट भैरव

S R G m P d N S' | S' N d P m G R S

Thaat: Bhairav Morning Sampoorna-Sampoorna
Nat Bhairav from Bhairava thaat, a light purvanga-oriented morning raga.