Kedar
केदार
S M P, M P D n D P S' | S' D n D P, M P D P m,S R S
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.
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Maru Bihag
मारू बिहाग
'N S G M P N S | S' N D P M G M G R S m G P M G M G R S
Maru Bihag from Bilawal thaat, an evening raga with devotional and loving mood.
Nand
नन्द
S G m P D N P S' | S' N D P M P G m D P (m)R S G m
Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.
Shankara
शंकरा
S G R G P N D S' | S' N D P G P G R S
Shankara from Bilawal thaat, an auspicious night raga from Carnatic system.
Shuddha Kalyan
शुद्ध कल्याण
S R G P D n S' | S' n D P G P G R S 'n 'D S
Shuddha Kalyan from Kalyan thaat, an evening raga with komal ni.
Shyam Kalyan
श्याम कल्याण
S R M# P N S' | S' N D P M# G m R, S
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.
Yaman
यमन
.N R G M# P D N S' | S' N D P M# G R S
The premier evening raga of the Kalyan Thaat. A complete heptatonic scale (Sampurna) featuring the Teevra Madhyama. Known as the Lydian mode of Indian music, it evokes peace, devotion, and auspiciousness. Perfect for beginning concerts, it is the foundational melody of Hindustani classical music.
Yaman Kalyan
यमन कल्याण
'N R G M D N S' | S' N D P M G m G R S
Yaman Kalyan from Kalyan thaat, a lighter version of Yaman with additional suddha ma.