Explore Ragas

Discover the rich melodic frameworks of Hindustani classical music

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86 ragas found

Hansdhwani

हंसध्वनी

S R G P N S' | S' N P G R S

Thaat: Bilawal Late evening Audava-Audava
A brilliant, auspicious pentatonic raga of the Bilawal Thaat. Originating from the Carnatic tradition, it utilizes SRGPN to create an atmosphere of joy and devotion. Known globally for its radiant "Angel Scale" geometry, it is the premier melody for invoking positivity and spiritual clarity.

Hindol

हिंडोल

S G M D N M D S' | S' D M D N D M G M G S

Thaat: Kalyan Early evening Audava-Audava
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.

Jaijaivanti

जयजयवंती

S R G m P m G m P N S' | S' n D P m G R g R S

Night Shadava-Sampoorna
Jaijaivanti from Khamaj thaat, a famous raga with Kafi and Khamaja shades.

Jaunpuri

जौनपुरी

S R m P d m P d n S' | S' n d P d m P g R S

Thaat: Asavari Morning Shadava-Sampoorna
Jaunpuri from Asavari thaat, similar to Asavari with different harmonic emphasis.

Jhinjhoti

झिंझोटी

S R G m P D S' | S' n D P D m G S R m G S R 'n 'D 'P 'D S

Night Shadava-Sampoorna
Jhinjhoti from Khamaj thaat, a purvanga-based raga with simple melodic form.

Jog

जोग

S G m P n S' | S' n P m g S

Thaat: Kafi Late evening Audava-Audava
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.

Kafi

काफ़ी

S R g m P D n S' | S' n D P m g R S

Thaat: Kafi Night Sampoorna-Sampoorna
Kafi from Kafi thaat, the representative raga producing the most versatile melodies.

Kalavati

कलावती

S G P D n DS' | S' n D P G P G S

Evening Audava-Audava
Kalavati from Khamaj thaat, a pentatonic evening raga.

Kamod

कामोद

S R G M P D N S' | S' N D P M G R S

Thaat: Kalyan Evening Sampoorna-Sampoorna
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.

Kedar

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

Thaat: Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

Khamaj

खमाज

S G m P D N S' | S' n D P m G R S

Night Shadava-Sampoorna
Khamaj from Khamaj thaat, widely used in Bengali and Vaisnava devotional music.

Kirwani

किरवानी

S R g m P d N S' | S' N d P m g R S

Late night Sampoorna-Sampoorna
Symmetrical and soulful raga of the night. Known for its roots in the Carnatic Melakarta system, it utilises the Harmonic Minor scale (SRgmPdN). Defined by Karuna Rasa and a perfect tetrachordal balance, it is a global favorite for its deep emotional resonance and meditative purity.