--- url: 'https://kalasudha.com/en-jp/instrument/nadaswaram' title: Nadaswaram author: name: rajeevk url: 'https://kalasudha.com/en-jp/user/4add8741a490747f' date: '2026-06-22T08:44:05+00:00' updated: '2026-11-06T00:27:52+00:00' type: product summary: "The nadaswaram is South India's principal double-reed instrument, for temple music, weddings and Carnatic concerts: aacha or jackwood body, circular breathing,…" tags: - Aerophones - Nadaswaram image: 'https://files.kalasudha.com/styles/d12_standard/public/mcp-imported/nadaswaram-375.jpg?VersionId=4_zf58621fa0f456059ae110919_f100fc83fff09e07e_d20261105_m221205_c003_v0312036_t0039_u01793916725864&h=00546c34&itok=gdxrh27k' published: true og: site_name: KalaSudha 'image:url': 'https://files.kalasudha.com/styles/d12_standard/public/mcp-imported/nadaswaram-375.jpg?VersionId=4_zf58621fa0f456059ae110919_f100fc83fff09e07e_d20261105_m221205_c003_v0312036_t0039_u01793916725864&h=00546c34&itok=gdxrh27k' 'image:secure_url': 'https://files.kalasudha.com/styles/d12_standard/public/mcp-imported/nadaswaram-375.jpg?VersionId=4_zf58621fa0f456059ae110919_f100fc83fff09e07e_d20261105_m221205_c003_v0312036_t0039_u01793916725864&h=00546c34&itok=gdxrh27k' 'image:type': image/jpeg 'image:width': '1200' 'image:height': '675' 'image:alt': 'Nadaswaram: long double-reed wind instrument with a flared brass bell' --- Carnatic instrument · Double reed # Nadaswaramनादस्वरम् The nadaswaram is a South Indian double-reed wind instrument with a conical bore. It leads the periya melam, the South Indian temple ensemble, with the tavil drum. [Ask for a quote](/en-jp/form/custom-instrument-quote?instrument_id=375) [Learn the nadaswaram ](#learn) ## Buy from KalaSudha £350 to £2,000 - Sold by quote or made to order - Packed for shipping and delivered worldwide - Serviced and repaired by us, wherever you bought it FamilyDouble reed BoreConical ReedGrass or cane OriginTamil Nadu and Andhra Pradesh Buy from us ## Choose your nadaswaram [Ask about a custom order ](/en-jp/form/custom-instrument-quote?instrument_id=375) - Student ### Student nadaswaram From £350 [Ask for a quote](/en-jp/form/custom-instrument-quote?instrument_id=375) - Mid-range ### Mid-range nadaswaram £700 to £1,200 Mid-range instruments have good bores and tuning. [Ask for a quote](/en-jp/form/custom-instrument-quote?instrument_id=375) - Professional ### Professional nadaswaram £1,200 to £2,000 Professional instruments come from master craftsmen in Tiruvarur or Kumbakonam, with matched reeds and adjustable vent holes. [Ask for a quote](/en-jp/form/custom-instrument-quote?instrument_id=375) ### What to look for Choose bari or timiri first. The larger bari sounds lower, and the smaller timiri sounds higher and is closer in size to the shehnai. Then ask us whether the body is aged aacha wood (Hardwickia binata), the traditional timber, or jackwood or blackwood. Makers prefer old, well-seasoned aacha, sometimes salvaged from old buildings. Mid-range instruments have good bores and tuning; professional instruments come from master craftsmen in Tiruvarur or Kumbakonam, with matched reeds and adjustable vent holes. Check that the finger-hole edges are smooth, since rough edges spoil partial covering and tuning; we re-bore and smooth them. Ask us for a quote, or for a nadaswaram made to order. ### After you buy Delivered worldwideWe pack every instrument for international shipping; ask us about cases and insurance. Service and repairWe service and repair any nadaswaram, wherever you bought it, worldwide: ask us. Strings, parts and casesAsk us for strings, spare parts and cases, and about a size for a younger learner. Help with your instrumentAsk us through the chat on any page, or by email, for help with your instrument. Gifts, schools and travelAsk us about gift vouchers, class sets for schools, and flight cases and travel help. Read the nadaswaram care guide - **Reeds:** Soak the reed a few minutes before playing. Carry several, adjust each for tone and response, and clear saliva with the small needle tied to the instrument. Store reeds ventilated and out of sun, never force a dry reed onto the staple, and discard cracked or mouldy ones. - **Bore:** Swab it after each session and let the instrument air-dry 30 minutes before casing, or moisture breeds mould, softens the wood and warps the bore. - **Tuning holes:** Check the wax in the lower holes before each performance and clear any that has crept into a neighbour with a pin. - **Finger holes and wood:** Rough edges spoil partial covering and tuning: we re-bore and smooth them. Wipe the body dry and avoid sudden moves between dry outdoor and humid indoor air, which crack the lacquer and, at worst, the wood. - **Bell:** A loose bell rattles and loses projection: re-wrap the joint with waxed thread. KalaSudha Academy ## Learn the nadaswaram with us [All courses ](/en-jp/courses) You can learn the nadaswaram with KalaSudha online and in workshops, starting at Foundation level. Foundation builds the direct lip-to-reed embouchure, with no mouthpiece, and shows you how to soak the seevali reed and cut it to pitch. Children are as welcome as adults; ask us about a starting age and a size for a younger learner. After a long break, returning players start again where they left off. Our courses run in levels, and your teacher first checks where you stand. [Ask about learning the nadaswaram](/en-jp/form/learner-enquiry?source_entity_type=node&source_entity_id=375) ### Your route, stage by stage 1. 1 Embouchure and reed control Every beginner in KalaSudha's courses starts here, at Foundation. Develop the direct lip-to-reed embouchure, with no mouthpiece. Learn how the seevali is soaked and cut to pitch, then control lip pressure and aperture for a stable, centred tone in the lower register before the upper octave or any ornament. 2. 2 Circular breathing Develop circular breathing: draw air in through the nose while the cheeks keep pushing air into the reed, so the sound never breaks. It underpins sustained alapana. Practise with a straw in water, then on a single held note, and extend to longer phrases. 3. 3 Hole coverage and gamaka Learn precise partial hole cover for Carnatic gamaka: shade each hole with more or less finger pad, in half and three-quarter positions, for the microtones each raga needs. Practise each gamaka as your teacher shows it. 4. 4 Raga alapana and kritis Elaborate a raga through alapana across the two-and-a-half-octave range, with gamaka and circular breathing for long phrases and an even tone in every register. Study kritis and tillanas in tala, with attention to the instrument's own phrasing and articulation. 5. 5 Ensemble and temple repertoire Develop ensemble playing with tavil and ottu, keeping pitch against the drone and balancing your sound against the drums, in concert and procession. Study the temple repertoire of the periya melam alongside the concert repertoire; their phrasing, ornaments and forms differ. The instrument ## About the nadaswaram ### What makes a nadaswaram ### What is the nadaswaram? The **nadaswaram** (also nagaswaram) is the principal double-reed instrument of South Indian music, one of the loudest acoustic instruments in the world, and ours suits the temple musician and the concert player. It belongs to the **mangala vadya**, the auspicious instruments, and sounds at dawn and dusk rituals, weddings and festivals across Tamil Nadu, Andhra Pradesh and Karnataka. It carries across temple courtyards and processions. ### What makes a great nadaswaram The body is turned from one piece of aged **aacha wood**, the traditional timber, or from blackwood or jackwood, with a conical bore widening to a flared bell. Seven finger holes run down the front, with a row of lower holes that players stop with wax to tune. A double reed of grass or cane sits straight in the top, with no mouthpiece. The larger **bari** sounds lower, the smaller **timiri** higher. Narasinghapettai's nagaswaram holds a Geographical Indication, and makers in Tiruvarur and Kumbakonam build to order. ### How it is played Players use circular breathing, drawing air through the nose while the cheeks keep the reed sounding, and shape **gamaka** by shading each hole with the finger pad. A recital runs **alapana**, kritis and improvised passages in tala. With it play the [tavil](/en-jp/instrument/tavil), a barrel drum played with a padded stick and bare fingers, and a second nadaswaram or an ottu drone pipe held by a supporting player. In the temple it leads the periya melam. ### History The nadaswaram belongs to the old family of double-reed instruments called shennai or shankha-nada, and its name joins nada (sound) and swaram (note). Stone carvings of the Chola and Pallava periods (7th to 13th centuries CE) and temple records from Chidambaram, Madurai and Tirupati tie it to ritual, and Vijayanagara grants of the 1400s name the nagaswaram. Its hereditary players in the Thanjavur region came from the Nattuvar and **Melakkarar** communities. In the 20th century it moved from temple forecourts to sabha stages. **T. N. Rajarathinam Pillai** (1898–1956) of Thiruvaduthurai led those who adapted it, giving full raga recitals as singers and vainikas did, and received the Sangeet Natak Akademi Award in 1955; Karukurichi Arunachalam (1921–1964) carried it further for a generation of players. **Sheik Chinna Moulana** (1924–1999), a Telugu-speaking Muslim from a hereditary family, succeeded in a field the Isai Vellalar of Thanjavur dominated, recorded widely, took it abroad and founded an ashram at Srirangam. Hereditary families, fewer than before, keep its oral tradition of temple repertoire and concert technique; urban students now learn it. It still plays at most major temple festivals in Tamil Nadu and Andhra Pradesh, with makers in Tiruvarur, Kumbakonam and Chennai. How a nadaswaram is made The body is turned from one piece of aged **aacha wood** (Hardwickia binata), sometimes salvaged from old buildings, or from jackwood (Artocarpus heterophyllus) or blackwood (Dalbergia latifolia), all chosen for density, stability and a warm-bright tone in the bore. It runs about 60–65 cm, more on a large bari, with a **conical bore** widening from reed to bell for full overtones and outdoor carrying power; a cylindrical bore would sound narrower, like a clarinet. The exterior is lacquered, often with painted bands; a brass or copper bell flare adds projection and upper-octave brightness, and some bells are wood. Seven finger holes are spaced for the twelve-semitone Carnatic scale. Below them a row of five small unfingered holes shapes the lower register; players plug some with wax to tune. The **double reed**, seevali in Tamil, is Kaveri-bank grass or cane (Arundo donax), dried, soaked, scraped to a flat oval and bound to a metal staple that sits straight in the bore. Hardness, width and opening set pitch stability, brightness and ease of circular breathing; players make their own or buy from reed-makers, and carry several with a clearing needle. Narasinghapettai Nagaswaram holds a Geographical Indication. ### At a glance TraditionCarnatic classical music and South Indian temple and wedding music; Tamil Nadu, Andhra Pradesh Reed systemDouble reed (seevali) of Kaveri-bank grass or cane (Arundo donax); no mouthpiece; circular breathing Body materialAacha wood (Hardwickia binata), jackwood or blackwood (Dalbergia latifolia); conical bore Finger holes7 main holes; a row of small lower holes stopped with wax for tuning AccompanimentTavil (barrel drum) and ottu (drone pipe); the periya melam of temple ritual ProjectionAmong the loudest acoustic instruments in the world, piercingly loud; designed for outdoor temple courtyards Full specifications #### Physical dimensions Total length60–65 cm Bore typeConical; widens from reed end to bell Bore diameter (narrow end)Approximately 7–9 mm Bell diameter10–14 cm (metal flare) Weight0.6–1.0 kg #### Body & construction Body materialAacha wood (Hardwickia binata), jackwood (Artocarpus heterophyllus) or blackwood (Dalbergia latifolia) Bell materialBrass or copper flare, press-fit or thread-wrapped; wood on some instruments Finger holes7 main holes, plus a row of small lower holes Vent hole tuningSelected lower holes plugged with wax to adjust tone and the pitch of individual notes FinishLacquered exterior; painted bands at the joints; thread wrapping and tassels at the top on some #### Reed system Reed typeDouble reed (seevali) of Kaveri-bank grass or cane (Arundo donax), scraped and bound to a metal staple Reed lengthApproximately 6–8 cm including staple MouthpieceNone; reed inserted directly into bore Reed lifeTypically a few sessions; players carry several, some hung below the top of the instrument Reed preparationSoak in water 2–3 minutes before playing to restore flexibility; cut to pitch by the reed-maker #### Playing technique Breathing techniqueCircular breathing, essential for sustained alapana Gamaka methodPartial and three-quarter hole cover, shading with the finger pad, with breath and embouchure Playing positionSeated or standing; instrument held at 45-degree downward angle Pitch rangeApproximately 2.5 octaves Register changeAchieved by increased lip pressure and breath support, not a register key #### Acoustic characteristics Tonal characterBright, penetrating, rich in harmonics, with a full overtone series from the conical bore VolumeAmong the loudest acoustic instruments, piercingly loud; 100–110 dB at source outdoors Ensemble roleLead melody, with the tavil for rhythm and the ottu for drone Optimal settingOutdoor temple courtyards, processional routes and open sabha stages Microphone useDistance mic preferred in concert settings; close-micing overloads at forte Explore the music ## Hear the nadaswaram Hear KalaSudha's [recordings](/en-jp/releases) and [concert videos](/en-jp/videos). ### Players Ask us to book a nadaswaram player for a concert, event or recording. [Book a nadaswaram player ](/en-jp/book-indian-classical-musicians) Keep exploring ## More around the nadaswaram - [ Discipline Nadaswaram South India's double-reed instrument of temple ritual, weddings and Carnatic concerts ](/en-jp/instrumental/carnatic-classical/nadaswaram) Questions ## Nadaswaram: common questions Buying, learning, care and the instrument itself. ### What is a nadaswaram? The **[nadaswaram](/en-jp/instrument/nadaswaram)** is a South Indian double-reed wind instrument with a conical bore. It leads the periya melam, the South Indian temple ensemble, with the tavil drum. It belongs to the mangala vadya, the auspicious instruments, and is played at most South Indian Hindu weddings and temple rituals. It is described as one of the world's loudest non-brass acoustic instruments. The shehnai is its North Indian relative: the nadaswaram is substantially larger and uses a simple double reed, where the shehnai has a more complex quadruple reed. ### How do I start learning the nadaswaram? You can learn the [nadaswaram](/en-jp/instrumental/carnatic-classical/nadaswaram) with KalaSudha online and in workshops, starting at **Foundation** level. Foundation builds the direct lip-to-reed embouchure, with no mouthpiece, and shows you how to soak the seevali reed and cut it to pitch. Children are as welcome as adults; ask us about a starting age and a size for a younger learner. After a long break, returning players start again where they left off. Our [courses](/en-jp/courses) run in levels, and your teacher first checks where you stand. ### Where can I buy a nadaswaram outside India? KalaSudha sells the nadaswaram to players outside India, by quote or made to order, and delivers worldwide. We pack the nadaswaram for international shipping, and you can ask us about a case and insurance. We service and repair any nadaswaram, wherever you bought it, anywhere in the world. You can ask us for spare parts as well. For help with your instrument after the sale, use the chat on any page or email . Ask us too about gift vouchers, class sets for schools or a flight case for travel. ### What wood is a nadaswaram made from? The body of a **[nadaswaram](/en-jp/instrument/nadaswaram)** is traditionally turned from aacha wood, identified as Hardwickia binata. Makers prefer old, well-seasoned wood, sometimes salvaged from old buildings. The flared bell at the foot is wood on many instruments and metal on others, and a bari instrument can carry a wide brass band wrapped below the finger holes. ### What is the nadaswaram reed made from? The double reed of the **[nadaswaram](/en-jp/instrument/nadaswaram)** is called seevali in Tamil, aku in Telugu and peepi in Kannada. It is cut from a dried grass or cane found on the banks of the Kaveri, then soaked and shaved to the required pitch. Players keep spare reeds and a small ivory or horn needle tied to the instrument to clear the reed. ### How many holes does a nadaswaram have? A **[nadaswaram](/en-jp/instrument/nadaswaram)** has seven finger holes on the front of the body. Below them are five further holes, called brahma swaram, which can be stopped with wax to adjust tone and tuning. There is no thumb hole. A bari instrument can carry a wide brass band below the finger holes, above the five lower holes. ### What are the bari and timiri types of nadaswaram? The two main types of **[nadaswaram](/en-jp/instrument/nadaswaram)** are the bari, also written pari, which is larger and lower-pitched, and the timiri, which is smaller, higher-pitched and closer in size to the shehnai. In Musical Instruments of India (1978), B. Chaitanya Deva gives the main pipe of the bari as nearly 90 cm long. A bari instrument can have a bell about 16 cm across. A nadaswaram can measure 76 to 95 cm long. S. Krishnaswami gives a shorter length for the instrument: 2 to 2½ feet, about 61 to 76 cm. P. Sambamoorthy's catalogue for the Government Museum, Chennai, gives the same figure for the wooden bore. ### What instruments play with the nadaswaram? The **[nadaswaram](/en-jp/instrument/nadaswaram)** leads the periya melam, the South Indian temple ensemble. The ensemble traditionally consists of nadaswaram, tavil drum, ottu, a drone reed pipe, and talam cymbals, organised around the lead nadaswaram player. The nadaswaram and tavil are mangala vadyam, instruments considered auspicious, and are heard together at temple rituals and Hindu weddings in South India. ### Where are nadaswarams made? Narasingapettai, a village near Kumbakonam in Tamil Nadu, is home to **[nadaswaram](/en-jp/instrument/nadaswaram)** makers; in 2015 four families there still made the instrument by hand, PARI reported. They turn it from aacha wood that must be at least 75 to 100 years old, often taken from the lintels and pillars of old homes. Each piece needs three people to make. ### Who are famous nadaswaram players? T. N. Rajarattinam Pillai, known as the Nadaswaram Chakravarthy, modified the **[nadaswaram](/en-jp/instrument/nadaswaram)**'s structure and gave it a prominent place on the concert stage; he died in 1958. Sheik Chinna Moulana, from a hereditary family of players in Karavadi, Andhra Pradesh, studied with Rajarattinam Pillai's disciples at Nachiarkovil and settled in Srirangam. Scroll describes him as the first nadaswaram artiste to travel to the West. ### Can I book a nadaswaram player for a concert, event or recording? KalaSudha can book a nadaswaram player for your concert, event or recording: ask us. The nadaswaram sounds at weddings and festivals as well as in concert, with the tavil drum beside it. Send your request through our page to [book Indian classical musicians](/en-jp/book-indian-classical-musicians), and hear our artists first in KalaSudha's [recordings](/en-jp/releases) and [concert videos](/en-jp/videos). ### What is the difference between the nadaswaram and the shehnai? Both are double-reed instruments: the **nadaswaram** of South India and the shehnai, its Hindustani counterpart. The shehnai is shorter, with six to nine holes and a range of about two octaves. The nadaswaram has seven finger holes, five lower holes that players stop with wax, and a range of about two and a half octaves. The nadaswaram leads the periya melam with the tavil at temples, weddings and processions. ### Still have questions? Our support team can help you find the right answer. [Contact support](/en-jp/form/learner-enquiry?source_entity_type=node&source_entity_id=375) Talk to us ## Tell us about the nadaswaram you want Ask for a quote on an instrument made to order, or about learning to play it with our teachers. [Ask for a quote](/en-jp/form/custom-instrument-quote?instrument_id=375) [Ask about learning](/en-jp/form/learner-enquiry?source_entity_type=node&source_entity_id=375) Stay close ## Keep KalaSudha close. Receive news of concerts, learning opportunities, recordings and the work taking shape at KalaSudha. - Concert news - ·Learning opportunities - ·Recordings and stories We respect your privacy. Unsubscribe at any time. Buy a nadaswaram from KalaSudha [Ask for a quote](/en-jp/form/custom-instrument-quote?instrument_id=375)