Explorar ragas

Discover the rich melodic frameworks of Hindustani classical music

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37 ragas found

Bihag

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

Thaat: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

Bilawal

बिलावल

S G R G m P D N S' | S' N D n D P m G R G m G R S

Thaat: Bilawal Morning Sampoorna-Sampoorna
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.

Charukesi

चारुकेशी

S R G m P d n S' | S' n d P m G R S

Thaat: Kafi Afternoon Sampoorna-Sampoorna
Charukesi, a Carnatic seven-note raga with komal dha and ni.

Chhayanat

छायानट

S R R G m P P D P P S' | S' N D P m G m R S

Thaat: Bilawal Evening Shadava-Sampoorna
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.

Deshkar

देशकार

S R G P D S' | S' D P R G R S'D S

Thaat: Bilawal Morning Audava-Audava
Deshkar from Bilawal thaat, uttaranga-oriented pentatonic raga similar to Bhupali.

Durga

दुर्गा

S R m P D S' | S' D m P D m R 'D S

Thaat: Bilawal Evening Audava-Audava
Durga from Bilawal thaat, a pentatonic raga with Re-Dha harmonic pair.

Gaur Sarang

गौर सारंग

S G R m G P M D P S' | S' N D P M P m G R G R m G P R S

Thaat: Kalyan Midday Shadava-Sampoorna
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.

Hameer

हमीर

S R G m (N)D N S' | S' N D P M P D P G m R S

Thaat: Kalyan Evening Shadava-Sampoorna
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.

Hansdhwani

हंसध्वनी

S R G P N S' | S' N P G R S

Thaat: Bilawal Late evening Audava-Audava
A brilliant, auspicious pentatonic raga of the Bilawal Thaat. Originating from the Carnatic tradition, it utilizes SRGPN to create an atmosphere of joy and devotion. Known globally for its radiant "Angel Scale" geometry, it is the premier melody for invoking positivity and spiritual clarity.

Hindol

हिंडोल

S G M D N M D S' | S' D M D N D M G M G S

Thaat: Kalyan Early evening Audava-Audava
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.

Jog

जोग

S G m P n S' | S' n P m g S

Thaat: Kafi Late evening Audava-Audava
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.

Kamod

कामोद

S R G M P D N S' | S' N D P M G R S

Thaat: Kalyan Evening Sampoorna-Sampoorna
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.