चन्द्रकौंस
चन्द्रकौंस
'N S g m d N S | S' N d m g m g S 'N S
Chandrakauns, a Carnatic-derived pentatonic raga similar to Malkauns with suddha ni.
रागों को जानें
Discover the rich melodic frameworks of Hindustani classical music
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चारुकेशी
चारुकेशी
S R G m P d n S' | S' n d P m G R S
Charukesi, a Carnatic seven-note raga with komal dha and ni.
गौड़ मल्हार
गौड़ मल्हार
S R g m P D n S' | S' n D P m g R S
Gaud Malhar from Kafi thaat, a refreshing monsoon raga celebrating rain.
गौर सारंग
गौर सारंग
S G R m G P M D P S' | S' N D P M P m G R G R m G P R S
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.
हमीर
हमीर
S R G m (N)D N S' | S' N D P M P D P G m R S
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.
हिंडोल
हिंडोल
S G M D N M D S' | S' D M D N D M G M G S
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.
जोग
जोग
S G m P n S' | S' n P m g S
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.
काफ़ी
काफ़ी
S R g m P D n S' | S' n D P m g R S
Kafi from Kafi thaat, the representative raga producing the most versatile melodies.
कामोद
कामोद
S R G M P D N S' | S' N D P M G R S
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.
केदार
केदार
S M P, M P D n D P S' | S' D n D P, M P D P m,S R S
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.
मेघ
मेघ
S R m P n S' | S' n P m R S
An ancient, pentatonic monsoon raga of the Kafi Thaat. Defined by its thunderous majesty and deep Rishabh oscillations, it is the elemental sound of the rain. Known globally for its "Open Interval" geometry, it evokes Heroic and Devotional Rasas, making it the premier melody for the Indian monsoon.
मिश्र शिवरंजनी
मिश्र शिवरंजनी
S R g P D S' | S' D P g R S (Mishra: +G, +n, +m)
A haunting midnight raga of the Kafi Thaat. Distinguished by its pentatonic core (S R g P D) and the artistic addition of chromatic "Mishra" swaras. It is the premier melody for Karuna Rasa (Pathos), known globally for its resemblance to the soulful intervals of Blues and Jazz ballads.