Ragas of Hindustani Classical Music

तिलंग

S G m P N S' | S' n P m G m G S

Late evening Audava-Audava

Tilang from Khamaj thaat, a late evening pentatonic raga with stable Pa.

विवरण देखें

तोड़ी

S r g M d N S' | S' N d PM g r g r S

थाट: Todi Morning Audava-Audava

Todi from Todi thaat, also known as Miyan Ki Todi, with super-flattened komal re.

विवरण देखें

वृन्दावनी सारंग

S R m P N S' | S' n P m R m RS NS

थाट: Kafi Late night Audava-Audava

Vrindavani Saranga from Kafi thaat, a late night Saranga-class raga.

विवरण देखें

यमन

.N R G M# P D N S' | S' N D P M# G R S

थाट: Kalyan Early evening Sampoorna-Sampoorna

The premier evening raga of the Kalyan Thaat. A complete heptatonic scale (Sampurna) featuring the Teevra Madhyama. Known as the Lydian mode of Indian music, it evokes peace, devotion, and auspiciousness. Perfect for beginning concerts, it is the foundational melody of Hindustani classical music.

विवरण देखें

यमन कल्याण

'N R G M D N S' | S' N D P M G m G R S

थाट: Kalyan Evening Shadava-Sampoorna

Yaman Kalyan from Kalyan thaat, a lighter version of Yaman with additional suddha ma.

विवरण देखें

झिला काफी

S R g m P D n S' | S' n D P m g R S

थाट: Kafi Night Sampoorna-Sampoorna

Zila Kafi from Kafi thaat, emphasizing characteristic Kafi intervals.

विवरण देखें

रागों को जानें

तिलंग

तोड़ी

वृन्दावनी सारंग

यमन

यमन कल्याण

झिला काफी

नमस्ते 👋 हम आपकी कैसे मदद कर सकते हैं?

हाल का संदेश