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Discover the rich melodic frameworks of Hindustani classical music

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52 ragas found

구자리 토디

गुजरी तोड़ी

S r G M D S' | S' D M G r S

타트: Todi Morning Audava-Audava
Gujari Todi from Todi thaat, lacking Pa with harmonic strength on komal dha.

자이자이완티

जयजयवंती

S R g G m P D N S' | S' n D P m G R S

Late evening Sampoorna-Sampoorna
Jaijaivanti from Khamaj thaat, a famous raga with Kafi and Khamaja shades.

자운푸리

जौनपुरी

S R g m P D n S' | S' n D P m g R S

타트: Asavari Afternoon Sampoorna-Sampoorna
Jaunpuri from Asavari thaat, similar to Asavari with different harmonic emphasis.

진조티

झिंझोटी

S R G m P D S' | S' n D P D m G S R m G S R 'n 'D 'P 'D S

Night Shadava-Sampoorna
Jhinjhoti from Khamaj thaat, a purvanga-based raga with simple melodic form.

카피

काफ़ी

S R g m P D n S' | S' n D P m g R S

타트: Kafi Night Sampoorna-Sampoorna
Kafi from Kafi thaat, the representative raga producing the most versatile melodies.

카마즈

खमाज

S G m P D N S' | S' n D P m G R S

Night Shadava-Sampoorna
Khamaj from Khamaj thaat, widely used in Bengali and Vaisnava devotional music.

키르와니

किरवानी

S R g m P d N S' | S' N d P m g R S

Late night Sampoorna-Sampoorna
Symmetrical and soulful raga of the night. Known for its roots in the Carnatic Melakarta system, it utilises the Harmonic Minor scale (SRgmPdN). Defined by Karuna Rasa and a perfect tetrachordal balance, it is a global favorite for its deep emotional resonance and meditative purity.

랄리타

ललित

'N r G m M m G M D N S' | N r' N D M D M m G M G r S 'NS

타트: Marwa Late night Shadava-Shadava
Lalita from Marwa thaat, named after the gopi who wakes Krsna at night.

마두마드 사랑

मधुमाद सारंग

'n S R m P n S' | S' n P m R m R 'n S

Late night Audava-Audava
Madhumad Sarang from Khamaj thaat, a lighter version of Megha centered on ma and Pa.

마두반티

मधुवंती

S g M# P N S' | S' N D P M# g R S

타트: Todi Late afternoon Audava-Sampoorna
A majestic late-afternoon raga of the Todi Thaat. Featuring a dominant Pancham and Teevra Madhyama, it balances romantic Shringar Rasa with technical depth. Known globally for its similarity to the Ukrainian Dorian mode, it is the definitive melody of the "Golden Hour."

말카운스

मालकौंस

S g m d n S' | S' n d n d m g m g S 'n S

타트: Bhairavi Late night Audava-Audava
Malkauns from Bhairavi thaat, a devotional midnight raga created by Parvati.

만드

मांड

S G m P D N S' | S' S' N D P D P N D P G m G R S

타트: Bilawal Night Shadava-Sampoorna
Mand from Bilawal thaat, a Rajasthani raga with zig-zag descent and free form.