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Discover the rich melodic frameworks of Hindustani classical music

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8 ragas found

바하르

बहार

S R g m P D n S' | S' n D P m g R S

타트: Kafi Afternoon Sampoorna-Sampoorna
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.

바산트 바하르

बसन्त बहार

S G M d N S' | S' N d P M G r S

타트: Purvi Afternoon Shadava-Sampoorna
Basant Bahar from Purvi thaat, combining Basant and Bahar to celebrate spring.

빔팔라시

भीमपलासी

'n S g m P n S' | S' n D P D m P g m g R S

타트: Kafi Afternoon Audava-Sampoorna
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.

차루케시

चारुकेशी

S R G m P d n S' | S' n d P m G R S

타트: Kafi Afternoon Sampoorna-Sampoorna
Charukesi, a Carnatic seven-note raga with komal dha and ni.

가우르 사랑

गौर सारंग

S R m P N S' | S' N D P m G R S

타트: Kalyan Afternoon Audava-Sampoorna
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.

마두반티

मधुवंती

S g M# P N S' | S' N D P M# g R S

타트: Todi Late afternoon Audava-Sampoorna
A majestic late-afternoon raga of the Todi Thaat. Featuring a dominant Pancham and Teevra Madhyama, it balances romantic Shringar Rasa with technical depth. Known globally for its similarity to the Ukrainian Dorian mode, it is the definitive melody of the "Golden Hour."

사랑

सारंग

S R M P N S' | S' N P M R S

타트: Kalyan Midday Audava-Audava
Sarang, the parent raga of the Saranga family for midday performance.

신두라

सिंधुरा

S R g m P D S' | S' D P m g R S

타트: Kafi Afternoon Shadava-Shadava
Sindhura from Kafi thaat, a peaceful meditative raga.