அபோகி
अभोगी
S R g m D S' | S' D m g R S
Abhogi from Kafi thaat, a Carnatic-derived pentatonic raga close to Bagesri.
ராகங்களை அறியுங்கள்
Discover the rich melodic frameworks of Hindustani classical music
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பாகேஸ்ரி
बागेश्री
.n S g M D n S' | S' n D M P D m G R S
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.
பஹார்
बहार
S R g m P D n S' | S' n D P m g R S
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.
பீம்பலாசி
भीमपलासी
'n S g m P n S' | S' n D P D m P g m g R S
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.
பூப்
भूप
S R G P D S' | S' D P G R S
As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music.
பூபாலி
भूपाली
S R G P D S' | S' D P G R S
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.
பிஹாக்
बिहाग
'N S G m P N S' | S' N (D) P M P G m G R S
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.
சந்திரகௌன்ஸ்
चन्द्रकौंस
'N S g m d N S | S' N d m g m g S 'N S
Chandrakauns, a Carnatic-derived pentatonic raga similar to Malkauns with suddha ni.
சாருகேசி
चारुकेशी
S R G m P d n S' | S' n d P m G R S
Charukesi, a Carnatic seven-note raga with komal dha and ni.
கௌட் மல்ஹார்
गौड़ मल्हार
S R g m P D n S' | S' n D P m g R S
Gaud Malhar from Kafi thaat, a refreshing monsoon raga celebrating rain.
கௌர் சாரங்
गौर सारंग
S G R m G P M D P S' | S' N D P M P m G R G R m G P R S
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.
ஹமீர்
हमीर
S R G m (N)D N S' | S' N D P M P D P G m R S
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.