Abhogi
अभोगी
S R g m D S' | S' D m g R S
Abhogi from Kafi thaat, a Carnatic-derived pentatonic raga close to Bagesri.
Ragas entdecken
Discover the rich melodic frameworks of Hindustani classical music
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Alhaiya Bilawal
अलैया बिलावल
S R G m P D N S' | S' N D P m G R S
Alhaiya Bilawal from Bilawal thaat, a serene morning raga with devotional character.
Bageshri
बागेश्री
.n S g M D n S' | S' n D M P D m G R S
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.
Behag
बिहाग
S G m P D N S' | S' N D P m G R S
Behag from Bilawal thaat, a romantic evening raga with joyful mood.
Bilawal
बिलावल
S G R G m P D N S' | S' N D n D P m G R G m G R S
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.
Chandrakauns
चन्द्रकौंस
'N S g m d N S | S' N d m g m g S 'N S
Chandrakauns, a Carnatic-derived pentatonic raga similar to Malkauns with suddha ni.
Chhayanat
छायानट
S R R G m P P D P P S' | S' N D P m G m R S
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.
Deshkar
देशकार
S R G P D S' | S' D P R G R S'D S
Deshkar from Bilawal thaat, uttaranga-oriented pentatonic raga similar to Bhupali.
Durga
दुर्गा
S R m P D S' | S' D m P D m R 'D S
Durga from Bilawal thaat, a pentatonic raga with Re-Dha harmonic pair.
Gaud Malhar
गौड़ मल्हार
S R g m P D n S' | S' n D P m g R S
Gaud Malhar from Kafi thaat, a refreshing monsoon raga celebrating rain.
Hansdhwani
हंसध्वनी
S R G P N S' | S' N P G R S
A brilliant, auspicious pentatonic raga of the Bilawal Thaat. Originating from the Carnatic tradition, it utilizes SRGPN to create an atmosphere of joy and devotion. Known globally for its radiant "Angel Scale" geometry, it is the premier melody for invoking positivity and spiritual clarity.
Jog
जोग
S G m P n S' | S' n P m g S
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.