Thaat (Parent Scale)
One of ten thaats
Komal Ga and Ni

Kafi काफ़ी

Komal Ga and komal Ni: the scale of Kafi, Bageshri, Bhimpalasi and Miyan Ki Malhar

Kafi thaat is one of the ten parent scales of Hindustani music: komal Ga and Ni, the other five notes shuddha. Bageshri and Bhimpalasi are grouped here.

Thaat scale
  1. Sa (fixed)
  2. Shuddha Re
  3. Komal Ga
  4. Shuddha Ma
  5. Pa (fixed)
  6. Shuddha Dha
  7. Komal Ni

Green: shuddha or fixed · Blue: komal · Amber: tivra

S R g M P D n
Dorian mode
16 Ragas 17 Releases

Ragas in Kafi Thaat

16 ragas classified in this thaat

Abhogi

अभोगी

S R g M D S' | S' D M g R g M R S, R .D .D S

Kafi Night Audava-Audava
Raag Abhogi: a Kafi thaat raga of Hindustani music, performed before midnight, with Sa, Re, komal Ga, Ma and Dha, leaving out Pa and Ni. Vadi Ma, samvadi Sa.
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Bageshri

बागेश्री

S R g M D n S' | S' n D M P D M g R S, .n S

Kafi Late night Shadava-Sampoorna
Raag Bageshri: a Kafi thaat raga of Hindustani music, performed around midnight, with komal Ga and komal Ni. Vadi Ma, samvadi Sa.
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Bahar

बहार

S R S M P M g M D N S' | S' n P M g M R S .N S

Kafi Late night Audava-Shadava
Raag Bahar: a Kafi thaat raga of Hindustani music, performed any time in spring and otherwise at night, with komal Ga and both forms of Ni. Vadi Ma, samvadi Sa.
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Bhimpalasi

भीमपलासी

.n S g M P n S' | S' n D P M g, M g R S

Kafi Afternoon Audava-Sampoorna
Raag Bhimpalasi: a Kafi thaat raga of Hindustani music, performed in the afternoon, with komal Ga and Ni and the other notes shuddha. Vadi Ma, samvadi Sa.
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Jog

जोग

S G M P n S' | S' n P M g S, .n S

Kafi Late evening Audava-Audava
Raag Jog: a Kafi thaat raga of Hindustani music, performed late in the evening, with shuddha and komal Ga, Ma, Pa and komal Ni. Vadi Ma, samvadi Sa.
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Kafi

काफ़ी

S R g M P D n S' | S' n D P M g R S

Kafi Night Sampoorna-Sampoorna
Raag Kafi: a Kafi thaat raga of Hindustani music, performed at night, with komal Ga and komal Ni and the other notes shuddha. Vadi Pa, samvadi Sa.
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Janak Raga

A representative raga of this thaat

Kafi

काफ़ी

S R g M P D n S' | S' n D P M g R S

Kafi Night Sampoorna-Sampoorna
Raag Kafi: a Kafi thaat raga of Hindustani music, performed at night, with komal Ga and komal Ni and the other notes shuddha. Vadi Pa, samvadi Sa.
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Origins & Context

Kafi thaat is one of the ten parent scales (thaats) of Hindustani music, using komal (flat) Ga and komal Ni with the other five notes shuddha: S R g M P D n. Raag Kafi, the raga of the same name, has its own page: Raag Kafi. In the system set out by Vishnu Narayan Bhatkhande, the nearest thaat is Khamaj thaat, which keeps Ga shuddha; Asavari thaat shares both komal notes and lowers Dha as well.

The ragas grouped under Kafi include Bageshri, Bhimpalasi, Bahar and Miyan Ki Malhar. The same seven notes form Kharaharapriya, melakarta 22 of Carnatic music, and the Western Dorian mode. B. Chaitanya Deva writes that the scale of the Vedic saman chant was roughly, though not strictly, that of Kafi.

Deva also summarises Bhatkhande's rules on the time of ragas. Those that take komal Ga and komal Ni, the two altered notes of this thaat, fall in the third and fourth watches of the day or of the night: noon to 6pm, and midnight to 6am. KalaSudha brings ragas of this thaat to the concert stage and the studio, and its courses, each built by its instructor with KalaSudha, teach them note by note: see our courses.

Musical Characteristics

Scale and musical context of this thaat

Swara Patterns

Thaat scale
S R g M P D n
Avroh (Descending)
n D P M g R S

Performance Context

In B. Chaitanya Deva's summary of Bhatkhande's time rules, komal Ga and komal Ni, the two altered notes of Kafi thaat, mark ragas of the third and fourth watches of the day or of the night. That means noon to 6pm, and midnight to 6am.

Distinctive Features

Komal Ga and komal Ni, with the other five notes shuddha
Same notes as the Western Dorian mode
Khamaj thaat differs by one note, shuddha Ga
Bageshri, Bhimpalasi, Bahar and Miyan Ki Malhar are grouped here

Around the World

Global connections and equivalent scales

Carnatic

Kharaharapriya (melakarta 22)

S R g M P D n

Melakarta 22 of Carnatic music takes the same seven notes, and P. Sambamoorthy writes that it corresponds to Kafi thaat of Hindustani music; Carnatic Bhairavi is one of its janya ragas. The raga Kharaharapriya has its own phrases and gamakas and shares only its scale with Kafi thaat.

Western

Dorian mode

C D Eb F G A Bb

With Sa on C the notes are the Dorian mode, a minor scale with a raised sixth. The two share pitches and nothing more: each raga of Kafi thaat brings its own ascent, descent and emphasis.

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