Kafi काफ़ी
Komal Ga and komal Ni: the scale of Kafi, Bageshri, Bhimpalasi and Miyan Ki Malhar
Kafi thaat is one of the ten parent scales of Hindustani music: komal Ga and Ni, the other five notes shuddha. Bageshri and Bhimpalasi are grouped here.
- Sa (fixed)
- Shuddha Re
- Komal Ga
- Shuddha Ma
- Pa (fixed)
- Shuddha Dha
- Komal Ni
Green: shuddha or fixed · Blue: komal · Amber: tivra
Ragas in Kafi Thaat
16 ragas classified in this thaat
Abhogi
अभोगी
S R g M D S' | S' D M g R g M R S, R .D .D S
Bageshri
बागेश्री
S R g M D n S' | S' n D M P D M g R S, .n S
Bahar
बहार
S R S M P M g M D N S' | S' n P M g M R S .N S
Bhimpalasi
भीमपलासी
.n S g M P n S' | S' n D P M g, M g R S
Jog
जोग
S G M P n S' | S' n P M g S, .n S
Kafi
काफ़ी
S R g M P D n S' | S' n D P M g R S
Janak Raga
A representative raga of this thaat
Kafi
काफ़ी
S R g M P D n S' | S' n D P M g R S
Musical Characteristics
Scale and musical context of this thaat
Swara Patterns
Performance Context
Distinctive Features
Around the World
Global connections and equivalent scales
Kharaharapriya (melakarta 22)
S R g M P D n
Melakarta 22 of Carnatic music takes the same seven notes, and P. Sambamoorthy writes that it corresponds to Kafi thaat of Hindustani music; Carnatic Bhairavi is one of its janya ragas. The raga Kharaharapriya has its own phrases and gamakas and shares only its scale with Kafi thaat.
Dorian mode
C D Eb F G A Bb
With Sa on C the notes are the Dorian mode, a minor scale with a raised sixth. The two share pitches and nothing more: each raga of Kafi thaat brings its own ascent, descent and emphasis.