Behag
बिहाग
S G m P D N S' | S' N D P m G R S
Behag from Bilawal thaat, a romantic evening raga with joyful mood.
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Bhoop
भूप
S R G P D S' | S' D P G R S
As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music.
Bhupali
भूपाली
S R G P D S' | S' D P G R S
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.
Bihag
बिहाग
'N S G m P N S' | S' N (D) P M P G m G R S
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.
Chhayanat
छायानट
S R R G m P P D P P S' | S' N D P m G m R S
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.
Durga
दुर्गा
S R m P D S' | S' D m P D m R 'D S
Durga from Bilawal thaat, a pentatonic raga with Re-Dha harmonic pair.
Hameer
हमीर
S R G m (N)D N S' | S' N D P M P D P G m R S
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.
Hansdhwani
हंसध्वनी
S R G P N S' | S' N P G R S
A brilliant, auspicious pentatonic raga of the Bilawal Thaat. Originating from the Carnatic tradition, it utilizes SRGPN to create an atmosphere of joy and devotion. Known globally for its radiant "Angel Scale" geometry, it is the premier melody for invoking positivity and spiritual clarity.
Hindol
हिंडोल
S G M D N M D S' | S' D M D N D M G M G S
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.
Kamod
कामोद
S R G M P D N S' | S' N D P M G R S
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.
Kedar
केदार
S M P, M P D n D P S' | S' D n D P, M P D P m,S R S
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.
Mand
मांड
S G m P D N S' | S' S' N D P D P N D P G m G R S
Mand from Bilawal thaat, a Rajasthani raga with zig-zag descent and free form.