Abhogi
अभोगी
S R g m D S' | S' D m g R S
Abhogi from Kafi thaat, a Carnatic-derived pentatonic raga close to Bagesri.
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Alhaiya Bilawal
अलैया बिलावल
S R G m P D N S' | S' N D P m G R S
Alhaiya Bilawal from Bilawal thaat, a serene morning raga with devotional character.
Bageshri
बागेश्री
.n S g M D n S' | S' n D M P D m G R S
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.
Bahar
बहार
S R g m P D n S' | S' n D P m g R S
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.
Behag
बिहाग
S G m P D N S' | S' N D P m G R S
Behag from Bilawal thaat, a romantic evening raga with joyful mood.
Bhimpalasi
भीमपलासी
'n S g m P n S' | S' n D P D m P g m g R S
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.
Bilawal
बिलावल
S G R G m P D N S' | S' N D n D P m G R G m G R S
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.
Chandrakauns
चन्द्रकौंस
'N S g m d N S | S' N d m g m g S 'N S
Chandrakauns, a Carnatic-derived pentatonic raga similar to Malkauns with suddha ni.
Charukesi
चारुकेशी
S R G m P d n S' | S' n d P m G R S
Charukesi, a Carnatic seven-note raga with komal dha and ni.
Chhayanat
छायानट
S R R G m P P D P P S' | S' N D P m G m R S
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.
Deshkar
देशकार
S R G P D S' | S' D P R G R S'D S
Deshkar from Bilawal thaat, uttaranga-oriented pentatonic raga similar to Bhupali.
Durga
दुर्गा
S R m P D S' | S' D m P D m R 'D S
Durga from Bilawal thaat, a pentatonic raga with Re-Dha harmonic pair.