Ahir Bhairava
अहीर भैरव
S r G m P G m D n S' | S' n D P m G m r S 'D 'n r S
Ahir Bhairava from Bhairava thaat, combining Bhairavanga and Ahiranga phrases.
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Alhaiya Bilawal
अलैया बिलावल
S R G m P D N S' | S' N D P m G R S
Alhaiya Bilawal from Bilawal thaat, a serene morning raga with devotional character.
Bairagi
बैरागी
S r m P n S' | S' n P m P m r S 'n S
Bairagi from Bhairava thaat, a devotional pentatonic raga with Lord Siva hymns.
Basanta Mukhari
बसन्त मुखारी
S r G m P d n S' | S' n d P m G r S
Basanta Mukhari from Bhairava thaat, face of spring with lighter compositions.
Behag
बिहाग
S G m P D N S' | S' N D P m G R S
Behag from Bilawal thaat, a romantic evening raga with joyful mood.
Bhairav
भैरव
S G m P (N) d* N S' | S' N S' (N)d* P m P G m (G)r* S'
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.
Bhoop
भूप
S R G P D S' | S' D P G R S
As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music.
Bhupali
भूपाली
S R G P D S' | S' D P G R S
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.
Bibhas
विभास
S r G P d S' | S' d P G r S
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.
Bihag
बिहाग
'N S G m P N S' | S' N (D) P M P G m G R S
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.
Bilawal
बिलावल
S G R G m P D N S' | S' N D n D P m G R G m G R S
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.
Chhayanat
छायानट
S R R G m P P D P P S' | S' N D P m G m R S
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.