Basanta

बसन्त

Swara Notation

S G M d r' S' | S' N d PM G m G M G r S

Thaat: Purvi early_evening Audava-Sampoorna
Vadi: Shadaj (S)
Samvadi: Pancham (P)
Basanta from Purvi thaat, a spring time raga with uttaranga orientation.

Quick Facts

Thaat (Scale)
Purvi
Time of Day
Early_evening
Jati (Notes)
Audava-sampoorna
Vadi (King Note)
Shadaj (S)
Samvadi (Queen Note)
Pancham (P)

Origins & Context

Basanta is a raga from the Purvi thaat. The other spring time raga, besides Bahar, is Raga Basanta. It is sometimes a confusion for academic scholars of music to see how Raga Bahar, with notes in the Kafi That, can emote the same season as Raga Basanta which is in Purvi That.

Even within its own that, Basanta is unlike the rest of the family, due to the fact it is uttaranga oriented. The aroha jumps quickly to touch the komal re in the tar saptak, its only upward allocation allowed. The downward scale has a higher preference for the uttaranga. Following rules of raga, it'll have to come down to middle Sa. Singers will hardly ever hit the lower Sa, and will hover on upper notes.

Technical Details

Melodic structure and movement patterns

Aroha (Ascent)

S G M d r' S'

Avroh (Descent)

S' N d PM G m G M G r S

Pakad (Catch Phrase)

M d r' S' N d PM G MG

Recordings & Performances

Listen to master musicians perform this raga

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