Kedar

केदार

Swara Notation

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

Thaat: Kalyan evening Audava-Shadava
Vadi: Madhyam (m)
Samvadi: Shadaj (S)
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

Quick Facts

Thaat (Scale)
Kalyan
Time of Day
Evening
Jati (Notes)
Audava-shadava
Vadi (King Note)
Madhyam (m)
Samvadi (Queen Note)
Shadaj (S)

Origins & Context

Kedar is an all time popular raga from the Kalyana thaat. Unlike most of the Kalyana That ragas, this raga tends to completely eliminate the Ga, and limits its use as a kans-swar (a sparing touch of a note).

In the whole raga, both forms of Ma are used, but the aroha only uses the Tivra Ma, while the avaroha only has its instance of suddha ma, on the final end of the downgrade. Tivra Ma. As many Kalyana That ragas tend to bear Tivra Ma and made it well known of its use, this raga uses Tivra Ma but it does not make a dominant presence as its siblings, Yaman, Yaman Kalyana, and Hindol, for instance, can do.

Technical Details

Melodic structure and movement patterns

Aroha (Ascent)

S M P, M P D n D P S'

Avroh (Descent)

S' D n D P, M P D P m,S R S

Pakad (Catch Phrase)

S M P, M P D P m, S R S

Recordings & Performances

Listen to master musicians perform this raga

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