Explore Ragas

Discover the rich melodic frameworks of Hindustani classical music

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32 ragas found

Ahir Bhairava

अहीर भैरव

S r G m P G m D n S' | S' n D P m G m r S 'D 'n r S

Thaat: Bhairav Morning Sampoorna-Sampoorna
Ahir Bhairava from Bhairava thaat, combining Bhairavanga and Ahiranga phrases.

Alhaiya Bilawal

अलैया बिलावल

S R G m P D N S' | S' N D P m G R S

Thaat: Bilawal Morning Sampoorna-Sampoorna
Alhaiya Bilawal from Bilawal thaat, a serene morning raga with devotional character.

Bairagi

बैरागी

S r m P n S' | S' n P m P m r S 'n S

Thaat: Bhairav Morning Audava-Audava
Bairagi from Bhairava thaat, a devotional pentatonic raga with Lord Siva hymns.

Basanta Mukhari

बसन्त मुखारी

S r G m P d n S' | S' n d P m G r S

Thaat: Bhairav Morning Sampoorna-Sampoorna
Basanta Mukhari from Bhairava thaat, face of spring with lighter compositions.

Behag

बिहाग

S G m P D N S' | S' N D P m G R S

Thaat: Bilawal Evening Shadava-Sampoorna
Behag from Bilawal thaat, a romantic evening raga with joyful mood.

Bhairav

भैरव

S G m P (N) d* N S' | S' N S' (N)d* P m P G m (G)r* S'

Thaat: Bhairav Morning Shadava-Sampoorna
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.

Bhoop

भूप

S R G P D S' | S' D P G R S

Thaat: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

Bhupali

भूपाली

S R G P D S' | S' D P G R S

Thaat: Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

Bibhas

विभास

S r G P d S' | S' d P G r S

Thaat: Bhairav Morning Audava-Audava
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.

Bihag

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

Thaat: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

Bilawal

बिलावल

S G R G m P D N S' | S' N D n D P m G R G m G R S

Thaat: Bilawal Morning Sampoorna-Sampoorna
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.

Chhayanat

छायानट

S R R G m P P D P P S' | S' N D P m G m R S

Thaat: Bilawal Evening Shadava-Sampoorna
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.