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Discover the rich melodic frameworks of Hindustani classical music

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14 ragas found

Bageshri

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

Thaat: Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

Bhoop

भूप

S R G P D S' | S' D P G R S

Thaat: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

Bhupali

भूपाली

S R G P D S' | S' D P G R S

Thaat: Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

Bihag

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

Thaat: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

Hameer

हमीर

S R G m (N)D N S' | S' N D P M P D P G m R S

Thaat: Kalyan Evening Shadava-Sampoorna
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.

Hindol

हिंडोल

S G M D N M D S' | S' D M D N D M G M G S

Thaat: Kalyan Early evening Audava-Audava
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.

Jog

जोग

S G m P n S' | S' n P m g S

Thaat: Kafi Late evening Audava-Audava
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.

Kamod

कामोद

S R G M P D N S' | S' N D P M G R S

Thaat: Kalyan Evening Sampoorna-Sampoorna
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.

Kedar

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

Thaat: Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

Nand

नन्द

S G m P D N P S' | S' N D P M P G m D P (m)R S G m

Thaat: Kalyan Evening Shadava-Sampoorna
Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.

Shuddha Kalyan

शुद्ध कल्याण

S R G P D n S' | S' n D P G P G R S 'n 'D S

Thaat: Kalyan Evening Shadava-Shadava
Shuddha Kalyan from Kalyan thaat, an evening raga with komal ni.

Shyam Kalyan

श्याम कल्याण

S R M# P N S' | S' N D P M# G m R, S

Thaat: Kalyan Late evening Audava-Sampoorna
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.