Abhogi
अभोगी
S R g m D S' | S' D m g R S
Abhogi from Kafi thaat, a Carnatic-derived pentatonic raga close to Bagesri.
Explorar ragas
Discover the rich melodic frameworks of Hindustani classical music
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Adana
आदाना
S R m P n m P S' | S' d n P m P n g m R S'
Adana from Asavari thaat, similar to Darbari without andolans on ga and dha.
Ahir
अहीर
S r G m P D n S' | S' n D P m G r S
Ahir from Bhairavi thaat, a devotional morning raga forming basis for Ahir Bhairava.
Ahir Bhairava
अहीर भैरव
S r G m P G m D n S' | S' n D P m G m r S 'D 'n r S
Ahir Bhairava from Bhairava thaat, combining Bhairavanga and Ahiranga phrases.
Ahir Lalit
अहीर ललित
S r G m M# m | r G m D n S' | S' n D P m G r S
Morning
Shadava-Shadava
Ahir-Lalit, created by Pandit Ravi Shankar, blends Ahir/Ahiri and Lalit into a unique melodic raga. Its evolving nature inspires concerts, recordings, and collaborations with contemporary artists, reflecting KalaSudha’s dedication to exploring and presenting classical innovations.
Alhaiya Bilawal
अलैया बिलावल
S R G m P D N S' | S' N D P m G R S
Alhaiya Bilawal from Bilawal thaat, a serene morning raga with devotional character.
Asavari
असावरी
S R m P d S' | S' n d P m g R S
Asavari from Asavari thaat, the representative morning raga with serious or melancholic mood.
Bairagi
बैरागी
S r m P n S' | S' n P m P m r S 'n S
Bairagi from Bhairava thaat, a devotional pentatonic raga with Lord Siva hymns.
Bangala
बंगला
S R m P n S' | S' n P m R S
Explore the origins and structure of Raag Bangala (Khamaj Thaat). Known as the "Mangala Aratiki" raga, learn how this morning melody moves from the meditative focus of Ma to the bright clarity of Shuddha Ni.
Basanta Mukhari
बसन्त मुखारी
S r G m P d n S' | S' n d P m G r S
Basanta Mukhari from Bhairava thaat, face of spring with lighter compositions.
Bhairav
भैरव
S G m P (N) d* N S' | S' N S' (N)d* P m P G m (G)r* S'
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.
Bhairavi
भैरवी
S r g m P d n Ṡ | Ṡ n d P m g r S
Raga Bhairavi is a morning scale and the "Queen of Ragas." Using all four Komal notes, this Bhairavi Thaat masterpiece expresses deep devotion. Ideal for Thumris and concert finales.