Explorar ragas

Discover the rich melodic frameworks of Hindustani classical music

5 filters active

12 ragas found

Bageshri

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

Thaat: Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

Bahar

बहार

S R g m P D n S' | S' n D P m g R S

Thaat: Kafi Afternoon Sampoorna-Sampoorna
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.

Behag

बिहाग

S G m P D N S' | S' N D P m G R S

Thaat: Bilawal Evening Shadava-Sampoorna
Behag from Bilawal thaat, a romantic evening raga with joyful mood.

Bhimpalasi

भीमपलासी

'n S g m P n S' | S' n D P D m P g m g R S

Thaat: Kafi Afternoon Audava-Sampoorna
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.

Charukesi

चारुकेशी

S R G m P d n S' | S' n d P m G R S

Thaat: Kafi Afternoon Sampoorna-Sampoorna
Charukesi, a Carnatic seven-note raga with komal dha and ni.

Chhayanat

छायानट

S R R G m P P D P P S' | S' N D P m G m R S

Thaat: Bilawal Evening Shadava-Sampoorna
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.

Durga

दुर्गा

S R m P D S' | S' D m P D m R 'D S

Thaat: Bilawal Evening Audava-Audava
Durga from Bilawal thaat, a pentatonic raga with Re-Dha harmonic pair.

Hansdhwani

हंसध्वनी

S R G P N S' | S' N P G R S

Thaat: Bilawal Late evening Audava-Audava
A brilliant, auspicious pentatonic raga of the Bilawal Thaat. Originating from the Carnatic tradition, it utilizes SRGPN to create an atmosphere of joy and devotion. Known globally for its radiant "Angel Scale" geometry, it is the premier melody for invoking positivity and spiritual clarity.

Jog

जोग

S G m P n S' | S' n P m g S

Thaat: Kafi Late evening Audava-Audava
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.

Maru Bihag

मारू बिहाग

'N S G M P N S | S' N D P M G M G R S m G P M G M G R S

Thaat: Bilawal Evening Audava-Sampoorna
Maru Bihag from Bilawal thaat, an evening raga with devotional and loving mood.

Shankara

शंकरा

S G R G P N D S' | S' N D P G P G R S

Thaat: Bilawal Evening Shadava-Shadava
Shankara from Bilawal thaat, an auspicious night raga from Carnatic system.

Sindhura

सिंधुरा

S R g m P D S' | S' D P m g R S

Thaat: Kafi Afternoon Shadava-Shadava
Sindhura from Kafi thaat, a peaceful meditative raga.