Explorer les ragas

Discover the rich melodic frameworks of Hindustani classical music

Quick Filters: Kafi Bhairav Kalyan Bilawal Morning Afternoon Evening Night Clear All All Filters

5 filters active

26 ragas found

Bageshri

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

Thaat : Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

Bahar

बहार

S R g m P D n S' | S' n D P m g R S

Thaat : Kafi Afternoon Sampoorna-Sampoorna
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.

Behag

बिहाग

S G m P D N S' | S' N D P m G R S

Thaat : Bilawal Evening Shadava-Sampoorna
Behag from Bilawal thaat, a romantic evening raga with joyful mood.

Bhimpalasi

भीमपलासी

'n S g m P n S' | S' n D P D m P g m g R S

Thaat : Kafi Afternoon Audava-Sampoorna
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.

Bhoop

भूप

S R G P D S' | S' D P G R S

Thaat : Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

Bhupali

भूपाली

S R G P D S' | S' D P G R S

Thaat : Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

Bihag

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

Thaat : Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

Charukesi

चारुकेशी

S R G m P d n S' | S' n d P m G R S

Thaat : Kafi Afternoon Sampoorna-Sampoorna
Charukesi, a Carnatic seven-note raga with komal dha and ni.

Chhayanat

छायानट

S R R G m P P D P P S' | S' N D P m G m R S

Thaat : Bilawal Evening Shadava-Sampoorna
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.

Durga

दुर्गा

S R m P D S' | S' D m P D m R 'D S

Thaat : Bilawal Evening Audava-Audava
Durga from Bilawal thaat, a pentatonic raga with Re-Dha harmonic pair.

Gaur Sarang

गौर सारंग

S G R m G P M D P S' | S' N D P M P m G R G R m G P R S

Thaat : Kalyan Midday Shadava-Sampoorna
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.

Hameer

हमीर

S R G m (N)D N S' | S' N D P M P D P G m R S

Thaat : Kalyan Evening Shadava-Sampoorna
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.