Abhogi
अभोगी
S R g m D S' | S' D m g R S
Abhogi from Kafi thaat, a Carnatic-derived pentatonic raga close to Bagesri.
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Ahir Bhairava
अहीर भैरव
S r G m P G m D n S' | S' n D P m G m r S 'D 'n r S
Ahir Bhairava from Bhairava thaat, combining Bhairavanga and Ahiranga phrases.
Alhaiya Bilawal
अलैया बिलावल
S R G m P D N S' | S' N D P m G R S
Alhaiya Bilawal from Bilawal thaat, a serene morning raga with devotional character.
Bageshri
बागेश्री
.n S g M D n S' | S' n D M P D m G R S
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.
Bahar
बहार
S R g m P D n S' | S' n D P m g R S
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.
Bairagi
बैरागी
S r m P n S' | S' n P m P m r S 'n S
Bairagi from Bhairava thaat, a devotional pentatonic raga with Lord Siva hymns.
Basanta Mukhari
बसन्त मुखारी
S r G m P d n S' | S' n d P m G r S
Basanta Mukhari from Bhairava thaat, face of spring with lighter compositions.
Behag
बिहाग
S G m P D N S' | S' N D P m G R S
Behag from Bilawal thaat, a romantic evening raga with joyful mood.
Bhairav
भैरव
S G m P (N) d* N S' | S' N S' (N)d* P m P G m (G)r* S'
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.
Bhimpalasi
भीमपलासी
'n S g m P n S' | S' n D P D m P g m g R S
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.
Bibhas
विभास
S r G P d S' | S' d P G r S
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.
Bilawal
बिलावल
S G R G m P D N S' | S' N D n D P m G R G m G R S
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.