Explorer les ragas

Discover the rich melodic frameworks of Hindustani classical music

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54 ragas found

Shyam Kalyan

श्याम कल्याण

S R M# P N S' | S' N D P M# G m R, S

Thaat : Kalyan Late evening Audava-Sampoorna
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.

Sohini

सोहिनी

S G M D N S' r' S' | S' N D N D, G M D M G M G r S

Thaat : Marwa Late evening Shadava-Shadava
Sohini from Marwa thaat, a romantic evening raga with more stability than Marwa.

Tilang

तिलंग

S G m P N S' | S' n P m G m G S

Late evening Audava-Audava
Tilang from Khamaj thaat, a late evening pentatonic raga with stable Pa.

Todi

तोड़ी

S r g M d N S' | S' N d PM g r g r S

Thaat : Todi Morning Audava-Audava
Todi from Todi thaat, also known as Miyan Ki Todi, with super-flattened komal re.

Yaman

यमन

.N R G M# P D N S' | S' N D P M# G R S

Thaat : Kalyan Early evening Sampoorna-Sampoorna
The premier evening raga of the Kalyan Thaat. A complete heptatonic scale (Sampurna) featuring the Teevra Madhyama. Known as the Lydian mode of Indian music, it evokes peace, devotion, and auspiciousness. Perfect for beginning concerts, it is the foundational melody of Hindustani classical music.

Yaman Kalyan

यमन कल्याण

'N R G M D N S' | S' N D P M G m G R S

Thaat : Kalyan Evening Shadava-Sampoorna
Yaman Kalyan from Kalyan thaat, a lighter version of Yaman with additional suddha ma.