Explorer les ragas

Discover the rich melodic frameworks of Hindustani classical music

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31 ragas found

Alhaiya Bilawal

अलैया बिलावल

S R G m P D N S' | S' N D P m G R S

Thaat : Bilawal Morning Sampoorna-Sampoorna
Alhaiya Bilawal from Bilawal thaat, a serene morning raga with devotional character.

Bageshri

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

Thaat : Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

Bahar

बहार

S R g m P D n S' | S' n D P m g R S

Thaat : Kafi Afternoon Sampoorna-Sampoorna
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.

Behag

बिहाग

S G m P D N S' | S' N D P m G R S

Thaat : Bilawal Evening Shadava-Sampoorna
Behag from Bilawal thaat, a romantic evening raga with joyful mood.

Bhimpalasi

भीमपलासी

'n S g m P n S' | S' n D P D m P g m g R S

Thaat : Kafi Afternoon Audava-Sampoorna
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.

Bhoop

भूप

S R G P D S' | S' D P G R S

Thaat : Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

Bhupali

भूपाली

S R G P D S' | S' D P G R S

Thaat : Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

Bihag

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

Thaat : Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

Bilawal

बिलावल

S G R G m P D N S' | S' N D n D P m G R G m G R S

Thaat : Bilawal Morning Sampoorna-Sampoorna
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.

Charukesi

चारुकेशी

S R G m P d n S' | S' n d P m G R S

Thaat : Kafi Afternoon Sampoorna-Sampoorna
Charukesi, a Carnatic seven-note raga with komal dha and ni.

Chhayanat

छायानट

S R R G m P P D P P S' | S' N D P m G m R S

Thaat : Bilawal Evening Shadava-Sampoorna
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.

Deshkar

देशकार

S R G P D S' | S' D P R G R S'D S

Thaat : Bilawal Morning Audava-Audava
Deshkar from Bilawal thaat, uttaranga-oriented pentatonic raga similar to Bhupali.