Ahir Bhairava
अहीर भैरव
S r G m P G m D n S' | S' n D P m G m r S 'D 'n r S
Ahir Bhairava from Bhairava thaat, combining Bhairavanga and Ahiranga phrases.
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Discover the rich melodic frameworks of Hindustani classical music
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Bageshri
बागेश्री
.n S g M D n S' | S' n D M P D m G R S
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.
Bairagi
बैरागी
S r m P n S' | S' n P m P m r S 'n S
Bairagi from Bhairava thaat, a devotional pentatonic raga with Lord Siva hymns.
Basanta Mukhari
बसन्त मुखारी
S r G m P d n S' | S' n d P m G r S
Basanta Mukhari from Bhairava thaat, face of spring with lighter compositions.
Bhairav
भैरव
S G m P (N) d* N S' | S' N S' (N)d* P m P G m (G)r* S'
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.
Bhoop
भूप
S R G P D S' | S' D P G R S
As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music.
Bhupali
भूपाली
S R G P D S' | S' D P G R S
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.
Bibhas
विभास
S r G P d S' | S' d P G r S
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.
Bihag
बिहाग
'N S G m P N S' | S' N (D) P M P G m G R S
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.
Hameer
हमीर
S R G m (N)D N S' | S' N D P M P D P G m R S
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.
Hindol
हिंडोल
S G M D N M D S' | S' D M D N D M G M G S
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.
Jog
जोग
S G m P n S' | S' n P m g S
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.