રાગોને જાણો

Discover the rich melodic frameworks of Hindustani classical music

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14 ragas found

બાગેશ્રી

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

થાટ: Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

ભૂપ

भूप

S R G P D S' | S' D P G R S

થાટ: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

જોગ

जोग

S G m P n S' | S' n P m g S

થાટ: Kafi Late evening Audava-Audava
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.

નંદ

नन्द

S G m P D N P S' | S' N D P M P G m D P (m)R S G m

થાટ: Kalyan Evening Shadava-Sampoorna
Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.

શ્યામ કલ્યાણ

श्याम कल्याण

S R M# P N S' | S' N D P M# G m R, S

થાટ: Kalyan Late evening Audava-Sampoorna
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.