Behag
बिहाग
S G m P D N S' | S' N D P m G R S
Behag from Bilawal thaat, a romantic evening raga with joyful mood.
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Bhairav
भैरव
S G m P (N) d* N S' | S' N S' (N)d* P m P G m (G)r* S'
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.
Bhairavi
भैरवी
S r g m P d n Ṡ | Ṡ n d P m g r S
Raga Bhairavi is a morning scale and the "Queen of Ragas." Using all four Komal notes, this Bhairavi Thaat masterpiece expresses deep devotion. Ideal for Thumris and concert finales.
Bhimpalasi
भीमपलासी
'n S g m P n S' | S' n D P D m P g m g R S
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.
Bhoop
भूप
S R G P D S' | S' D P G R S
As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music.
Bhupali
भूपाली
S R G P D S' | S' D P G R S
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.
Bibhas
विभास
S r G P d S' | S' d P G r S
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.
Bihag
बिहाग
'N S G m P N S' | S' N (D) P M P G m G R S
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.
Bilaskhani Todi
बिलासखानी तोड़ी
S r g P d S' | S' r' n d m g r g r S
Bilaskhani Todi from Bhairavi/Todi thaat, named after Bilas Khan, son of Miyan Tansen.
Bilawal
बिलावल
S G R G m P D N S' | S' N D n D P m G R G m G R S
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.
Charukesi
चारुकेशी
S R G m P d n S' | S' n d P m G R S
Charukesi, a Carnatic seven-note raga with komal dha and ni.
Chhayanat
छायानट
S R R G m P P D P P S' | S' N D P m G m R S
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.