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Discover the rich melodic frameworks of Hindustani classical music

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42 ragas found

ドゥルガー

दुर्गा

S R m P D S' | S' D m P D m R 'D S

タート: Bilawal Evening Audava-Audava
Durga from Bilawal thaat, a pentatonic raga with Re-Dha harmonic pair.

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हमीर

S R G m (N)D N S' | S' N D P M P D P G m R S

タート: Kalyan Evening Shadava-Sampoorna
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.

ハンスドヴァニー

हंसध्वनी

S R G P N S' | S' N P G R S

タート: Bilawal Late evening Audava-Audava
A brilliant, auspicious pentatonic raga of the Bilawal Thaat. Originating from the Carnatic tradition, it utilizes SRGPN to create an atmosphere of joy and devotion. Known globally for its radiant "Angel Scale" geometry, it is the premier melody for invoking positivity and spiritual clarity.

ヒンドール

हिंडोल

S G M D N M D S' | S' D M D N D M G M G S

タート: Kalyan Early evening Audava-Audava
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.

ジョーグ

जोग

S G m P n S' | S' n P m g S

タート: Kafi Late evening Audava-Audava
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.

カモード

कामोद

S R G M P D N S' | S' N D P M G R S

タート: Kalyan Evening Sampoorna-Sampoorna
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.

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केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

タート: Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

マドゥワンティー

मधुवंती

S g M# P N S' | S' N D P M# g R S

タート: Todi Late afternoon Audava-Sampoorna
A majestic late-afternoon raga of the Todi Thaat. Featuring a dominant Pancham and Teevra Madhyama, it balances romantic Shringar Rasa with technical depth. Known globally for its similarity to the Ukrainian Dorian mode, it is the definitive melody of the "Golden Hour."