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Discover the rich melodic frameworks of Hindustani classical music

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38 ragas found

ハミール

हमीर

S R G m (N)D N S' | S' N D P M P D P G m R S

タート: Kalyan Evening Shadava-Sampoorna
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.

ハンスドヴァニー

हंसध्वनी

S R G P N S' | S' N P G R S

タート: Bilawal Late evening Audava-Audava
A brilliant, auspicious pentatonic raga of the Bilawal Thaat. Originating from the Carnatic tradition, it utilizes SRGPN to create an atmosphere of joy and devotion. Known globally for its radiant "Angel Scale" geometry, it is the premier melody for invoking positivity and spiritual clarity.

ヒンドール

हिंडोल

S G M D N M D S' | S' D M D N D M G M G S

タート: Kalyan Early evening Audava-Audava
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.

ジョーグ

जोग

S G m P n S' | S' n P m g S

タート: Kafi Late evening Audava-Audava
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.

カーフィー

काफ़ी

S R g m P D n S' | S' n D P m g R S

タート: Kafi Night Sampoorna-Sampoorna
Kafi from Kafi thaat, the representative raga producing the most versatile melodies.

カモード

कामोद

S R G M P D N S' | S' N D P M G R S

タート: Kalyan Evening Sampoorna-Sampoorna
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.

ケーダール

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

タート: Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

マーンド

मांड

S G m P D N S' | S' S' N D P D P N D P G m G R S

タート: Bilawal Night Shadava-Sampoorna
Mand from Bilawal thaat, a Rajasthani raga with zig-zag descent and free form.

ミシュラ・シヴァランジャニー

मिश्र शिवरंजनी

S R g P D S' | S' D P g R S (Mishra: +G, +n, +m)

タート: Kafi Late night Audava-Audava
A haunting midnight raga of the Kafi Thaat. Distinguished by its pentatonic core (S R g P D) and the artistic addition of chromatic "Mishra" swaras. It is the premier melody for Karuna Rasa (Pathos), known globally for its resemblance to the soulful intervals of Blues and Jazz ballads.