Western instrument · Plucked string

Guitarगिटार

The guitar is a six-string fretted chordophone with roots in 16th-century Spain and Italy. In India it plays Hindustani and Carnatic classical music, Hindi film music, Goan folk and fusion.

Family
Plucked string
Strings
6, nylon or steel
Standard tuning
E2–A2–D3–G3–B3–E4
Origin
Spain, 16th century

Buy from us

Choose your guitar

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  • Student

    Student guitar

    From £250

  • Mid-range

    Mid-range guitar

    £300 to £800

  • Professional

    Professional guitar

    £1,000 or more

    Professional acoustics come from established makers or specialist luthiers.

What to look for

For Indian classical music, start with the setup. A guitarist plays meend by bending the string along the fret. A full-tone or minor-third bend held for seconds needs slightly raised action (1.8 to 2.2 mm at the 12th fret), lighter gauges and a fretboard radius that lets the string move. Many players choose a semi-hollow electric for acoustic warmth.

On an acoustic, a spruce top gives clarity and projection, and cedar gives warmth for a lighter touch; rosewood back and sides add sustain. A bone nut with exact slots sustains better than plastic and stops open-string buzz. Steel-string and electric necks carry an adjustable truss rod; most classical necks do not. We set intonation at any change of string gauge. Ask us for a quote, or for a guitar made to order.

After you buy

Delivered worldwide
We pack every instrument for international shipping; ask us about cases and insurance.
Service and repair
We service and repair any guitar, wherever you bought it, worldwide: ask us.
Strings, parts and cases
Ask us for strings, spare parts and cases, and about a size for a younger learner.
Help with your instrument
Ask us through the chat on any page, or by email, for help with your instrument. [email protected]
Gifts, schools and travel
Ask us about gift vouchers, class sets for schools, and flight cases and travel help.
Read the guitar care guide
  • Humidity: Keep 45–55% relative humidity in the case, checked with a digital hygrometer; Taylor builds its guitars at 46%. Use a humidifier in dry months, paired with one at the headstock if it seals the soundhole, and silica gel in the monsoon. Buzzing, raised fret ends, a sinking top or a lifting bridge mean dryness; a cracked top or loose brace comes to us.
  • Strings: Wipe them with a dry microfibre cloth after each session. Coated strings such as Elixir or D'Addario EXP last longer in humid weather. Change them every four to six weeks, sooner in the monsoon or if your hands sweat.
  • Fretboard: Clean it at each string change and oil unfinished rosewood or ebony two or three times a year.
  • Truss rod: Check there is one first. Buzz low on the neck or rising action higher up means it needs a turn. Aim for a slight forward bow; turn a quarter at a time and wait 24 hours. If two turns change nothing, bring it to us.
  • Service: Have us set intonation at any gauge change and service it yearly.

KalaSudhaアカデミー

Learn the guitar with us

All courses

To start Indian classical music on the guitar, learn with KalaSudha online or in a workshop, beginning at Foundation level. The first stage settles your sitting position and right-hand technique, whether you fingerpick or use a plectrum. We teach children as well as adults: ask us about a starting age and about a guitar size for a younger learner.

Guitarists returning after a long break start again where they left off. Our courses run in levels, so your teacher reviews where you stand first.

Your route, stage by stage

  1. Foundation & posture

    Beginners in KalaSudha's courses begin at this Foundation stage. Establish correct sitting position and right-hand technique (fingerpicking or plectrum). Learn open chord shapes, basic scale patterns and chromatic exercises to build left-hand strength and fretboard familiarity.

  2. Scale practice & sargam

    Map Sa Re Ga Ma Pa Dha Ni Sa onto the fretboard across several positions and practise ascending and descending patterns. Then add controlled string bends, slides, hammer-ons and pull-offs, the slurs Prasanna uses for gamaka, as graded exercises toward the pitch inflections Indian melody needs.

  3. Raga structure & grammar

    Study two or three ragas in depth: their characteristic phrases (pakad), ascending and descending rules (aroha and avaroha) and principal notes (vadi and samvadi). Render alap, the free-time melodic exploration of a raga, on one raga before you introduce taal, the rhythmic cycle.

  4. Compositions & taal

    Learn gat compositions in teentaal (16 beats) and ektaal (12 beats). Practise with a tabla player or a drone, maintaining rhythmic accuracy through slow, medium and fast tempos.

  5. Advanced improvisation

    Develop extended improvisation within the raga, with tans (fast melodic passages) and call-and-response with the tabla. Study R. Prasanna's recordings and lessons for fretted phrasing and gamaka. Listen to Brij Bhushan Kabra for the Hindustani slide lineage, played on a guitar laid flat with a bar.

The instrument

About the guitar

What makes a guitar

The guitar is a six-string fretted chordophone, and ours suit Carnatic, Hindustani, film and fusion players. Its familiarity makes it simple to start on. The classical guitar has nylon strings and fan bracing, the steel-string acoustic X-bracing, and the electric, the sound of 20th-century popular music, turns string vibration into a signal through magnetic pickups. For meend the guitarist bends the string along the fret, as a sitarist pulls across it. A full-tone or minor-third bend held for seconds needs slightly raised action (1.8 to 2.2 mm at the 12th fret), lighter gauges and a fretboard radius that lets the string move. Many choose a semi-hollow electric for acoustic warmth; fingerpickers hold a drone under the melody, as a tanpura would.

R. Prasanna has played Carnatic music on the electric guitar since the 1990s, at Chennai festivals and teaching abroad, in his "Carnatic tuning", rendering gamaka through slides, hammer-ons and pull-offs. Brij Bhushan Kabra, a disciple of Ali Akbar Khan, took the guitar into Hindustani raga, laid flat and played with a bar, the line that led to the Indian slide guitar. Prasanna's ornament, rhythm and improvisation differ from Kabra's. Vishwa Mohan Bhatt, a renowned player with his own style, plays the mohan veena he designed. With sympathetic and drone strings and raised action for lap slide, it uses no fretting and sounds closer to a Hawaiian lap steel than a Spanish guitar.

履歴

The guitar grew from the vihuela and four-course guitar of 16th-century Spain and Italy, which gained fifth and sixth courses; Gaetano Vinaccia of Naples set six strings by 1779. Torres of Seville's fan bracing, wider body and longer scale set the classical blueprint; the steel-string arose in the late 19th-century United States.

Traders and missionaries brought it to India's coasts in the 16th to 18th centuries; Portuguese Goa, over four centuries, built its deepest guitar culture in church music, Konkani song and dance. In the 19th century amateurs played it in anglicised drawing rooms of Calcutta, Bombay and Madras and at princely courts, never on the professional stage. Bombay film orchestras used session guitarists for chords and fills behind violins and harmonium from the 1930s, electric guitar from the 1940s; O. P. Nayyar made it the pulse of 1950s and 1960s film song. From the late 1950s US records and students back from UK universities raised club bands playing Chuck Berry, the Beatles and Cliff Richard.

Kabra's Call of the Valley (1967), with Hariprasad Chaurasia and Shivkumar Sharma, set the guitar in raga for a generation of players. Frets bend for meend and gamaka; the range suits melody and rhythm.

How a guitar is made

The top, or soundboard, is spruce or cedar, braced underneath with wooden struts. Spruce tops give clarity and projection, and cedar warmth for a lighter touch. Classical guitars use fan bracing, struts radiating below the soundhole, which nylon's lower tension allows; steel-string acoustics use X-bracing, two crossing struts that American makers used from the 1840s. Mahogany or rosewood back and sides colour the tone inside the body, with rosewood adding sustain, and luthiers voice each top by tapping and adjusting brace height. Steel-string and electric necks carry an adjustable truss rod; most classical necks do not.

Bridge pins anchor steel strings in the bridge plate, which spreads their pull; the bone or synthetic saddle sets action and intonation, and a bone nut with exact slots sustains better than plastic and stops open-string buzz. The neck joint, glued, bolted or through-body, shapes sustain.

An electric guitar's pickups sit under the strings: a vibrating string disturbs the magnet's field and induces a current. Single coils sound bright but hum; Seth Lover's humbucker for Gibson, patented in 1959, winds two coils out of phase to cancel it. Solid bodies such as the Stratocaster and Les Paul favour sustain; semi-hollows add acoustic warmth.

At a glance

Classification
Chordophone: plucked string
String count
6 strings (standard); classical guitars use nylon, acoustics and electrics use steel
Body types
Classical (nylon-string), steel-string acoustic, archtop, semi-hollow and solid-body electric
Key figures in India
Brij Bhushan Kabra (Hindustani), R. Prasanna (Carnatic) and the Goan guitar tradition
Indian contexts
Hindustani classical, Carnatic classical, Hindi film music, Goan folk, fusion
Standard tuning
E2–A2–D3–G3–B3–E4 (low to high); open tunings for some Indian classical work, and Prasanna's E B E B E B for Carnatic music

Playing techniques

  • Krintan (Hammer-on/Pull-off)
  • Gamaka (Oscillation)
  • String Bending
  • Fingerpicking
  • Plectrum Picking

Materials

  • Acoustic Spruce
  • Mahogany
  • Rosewood
  • Bone
  • Nickel-wound Steel
Full specifications

Physical dimensions

Overall length (acoustic)
965mm – 1030mm (38 – 40.5 inches)
Body length
480mm – 510mm (19 – 20 inches)
Body width (lower bout)
360mm – 410mm (14 – 16 inches)
Body depth
90mm – 110mm (3.5 – 4.5 inches)
Scale length
628mm – 650mm (24.75 – 25.5 inches)
Total weight
1.5kg – 4.5kg (acoustic to solid-body electric)

Body construction & tonewoods

Soundboard (top)
Spruce (Engelmann, Sitka) or cedar
Back & sides
Mahogany, rosewood, sapele, or koa
Internal bracing
Fan bracing (classical); X-bracing (steel-string acoustic)
Electric body wood
Alder, ash, mahogany, or semi-hollow maple
Body binding
Plastic, tortoiseshell, or wood purfling
Surface finish
Nitrocellulose lacquer (vintage) or polyester/polyurethane

Neck, fretboard & action

Neck material
Mahogany, maple, or multi-piece laminate
Fretboard material
Rosewood, ebony, or maple
Fret count
19 – 22 frets (acoustic); 21 – 24 frets (electric)
Nut width
About 52mm (classical); 41mm – 43mm (steel-string)
Action height (12th fret)
1.6mm – 2.2mm treble side; up to 3mm for Indian classical bending
Truss rod
Adjustable steel rod controlling neck relief against string tension; most classical guitars have none

String & tuning specifications

Standard tuning
E2 – A2 – D3 – G3 – B3 – E4 (low to high)
String count
6 (standard); 12 for 12-string variants
Acoustic gauges
0.011 – 0.052 (light); 0.012 – 0.053 (medium)
Classical string material
Nylon or fluorocarbon (treble); silver-wound nylon (bass)
Electric gauges
0.009 – 0.042 (super light); 0.010 – 0.046 (regular)
Electric string material
Nickel-wound or stainless steel over steel core

Acoustic & electronic characteristics

Frequency range
~82 Hz (low E) – 5 kHz (upper harmonics)
Pickup type
Single-coil, humbucker, or piezo (acoustic-electric)
Output level
100mV – 300mV RMS (passive pickups)
Tonal bend range
Up to minor third (3 semitones) for Indian classical gamaka
Sustain
3 – 6 seconds (acoustic); 6 – 15 seconds (electric with amplifier)

Explore the music

Hear the guitar

Hear KalaSudha's recordings and concert videos.

Players

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質問

Guitar: common questions

Buying, learning, care and the instrument itself.

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