Hindustani instrument · Stick zither
Rudra Veenaरुद्र वीणा
The rudra veena, or bin, is a plucked stick zither: a hollow tube with frets and two gourd resonators, closely associated with dhrupad.
- Family
- Stick zither
- Strings
- 4 main, 3 drone
- Resonators
- Two large gourds
- Origin
- North India
Buy from us
Choose your rudra veena
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Student
Student rudra veena
From £800
Student rudra veenas come from specialist Indian workshops.
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Intermediate
Intermediate rudra veena
£1,500 to £2,500
Intermediate instruments have better gourds and bridge work.
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Concert
Concert rudra veena
£5,000 or more
Concert instruments are built to order by senior makers in Varanasi or Miraj.
What to look for
After you buy
- Delivered worldwide
- We pack every instrument for international shipping; ask us about cases and insurance.
- Service and repair
- We service and repair any rudra veena, wherever you bought it, worldwide: ask us.
- Strings, parts and cases
- Ask us for strings, spare parts and cases, and about a size for a younger learner.
- Help with your instrument
- Ask us through the chat on any page, or by email, for help with your instrument. [email protected]
- Gifts, schools and travel
- Ask us about gift vouchers, class sets for schools, and flight cases and travel help.
Read the rudra veena care guide
- The two large gourds are the most fragile part of the instrument. Store the rudra veena in a padded hard case with both gourds supported and cushioned; never rest the instrument on a hard surface without padding under the gourds. Avoid rapid humidity changes: a dried gourd that loses moisture too fast can crack along its natural seam. In dry conditions (below 40% RH), place a small open container of water inside the closed case to raise local humidity. Do not expose either gourd to direct heat or direct sunlight.
- The brass frets are set with wax rather than tied thread. Check before each performance that no fret has shifted or loosened; a loose fret produces a rattling buzz that masks the jawari tone. If a fret rocks under finger pressure, re-seat it with instrument wax (or dark beeswax) by warming the wax and pressing the fret arch down with firm pressure until cool. Keep a small block of wax in the case for field repairs. Do not use adhesives: wax allows the fret to be repositioned or removed without damaging the tube.
- The bone or deer-horn bridge produces the veena's characteristic jawari buzz. Do not sand or file the bridge without our guidance; even a small change to the bridge profile alters the jawari balance. If the buzz disappears or turns harsh, bring it to us. During transport, wrap the string-crossing point with soft cloth to prevent the bridge from moving under the strings and shifting the jawari profile.
- Tune the strings with a peg key before each session. The heavy main strings are susceptible to humidity-related pitch drift; allow the instrument 10–15 minutes to acclimatise in a new environment before tuning for performance. Replace strings that show corrosion, kinking or loss of brightness; replace the full main string set together to keep bridge tension balanced. Drone strings break more often than main strings; keep a full spare set of each gauge in the case.
- The joint between the bamboo or teak tube and the gourd attachments is the instrument's structural weak point. Inspect the thread binding at each gourd attachment once a year; fraying thread or any movement of the gourd relative to the tube needs repair before the joint fails. Keep the instrument away from temperature extremes that cause the tube and gourds to expand and contract at different rates. If the tube shows any longitudinal cracking, send the instrument to us before the crack reaches the fret zone.
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Learn the rudra veena with us
You can learn the rudra veena with KalaSudha online and in workshops, and beginners start at Foundation level. Foundation teaches the traditional posture, one gourd on the left shoulder and the other on the right thigh, and slow single strokes with the mizrab. Children learn with us as well as adults: ask us about a starting age and about a size for a younger learner.
Players returning after a long break start again where they left off. Our courses run in levels, and your teacher reviews where you stand first.
Your route, stage by stage
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Posture and mizrab grip
Beginners start here, at Foundation, the first level of KalaSudha's courses. Learn the traditional posture, the instrument diagonal with the upper gourd on the left shoulder and the lower on the right thigh, or the sukhasan posture with one gourd on the floor, as your lineage teaches. Wear the mizrab and play single downstrokes very slowly, hearing each note's full decay and jawari. Build the strength to hold steady through a long alap.
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Fixed-fret navigation and meend
Learn the positions of the 21 to 24 frets for a first raga. Then build meend: push the string sideways across a high fixed brass fret, with real force on the heavy strings, reaching a minor third and beyond, towards a full fifth, in one glide while the jawari sustains.
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Alap structure in dhrupad-ang style
Study the dhrupad approach to alap: begin in the lower octave with single notes and short phrases, bring in each note as the raga allows and expand towards the upper octave over 30 to 60 minutes. Let each phrase settle and resonate before the next; on so sustained an instrument, crowded phrasing sounds like clutter.
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Jor, jhala and gamak
After alap, add jor, a steady pulse from the mizrab without a fixed tala. Build gamak, the rapid oscillation of a note between fret and meend that gives dhrupad on the veena its heavy ornament, then jhala, fast alternating strokes between main string and chikari, building speed in small steps.
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Raga repertoire and concert practice
Build repertoire in ragas suited to the bass register and fixed-fret meend: Bhairav, Yaman, Darbari Kanada, Malkauns and Lalit. Practise complete alap, jor and jhala, then a bandish in chautal or dhamar with pakhawaj. Study recordings by Zia Mohiuddin Dagar and Asad Ali Khan.
The instrument
About the rudra veena
What makes a rudra veena
What is the rudra veena?
The rudra veena, or bin, is the plucked stick zither of dhrupad, one of the oldest string instruments still played in North India, and ours suits the dhrupad student and the specialist. The name means "the veena of Rudra", a form of Shiva. A hollow tube of bamboo or teak carries 21 to 24 high brass frets set in wax, four main strings and three chikari drones, with two large gourd resonators.
What makes a great one
The high frets allow meend, a sideways pull that raises a note by a minor third or more, up to a fifth. A bone or deer-horn bridge gives the jawari buzz, and the gourds and long scale give a deep, room-filling sustain in the lower two octaves. Zia Mohiuddin Dagar enlarged the gourds and tube, so players now choose between the traditional northern design and his heavier one. In the traditional posture the instrument lies diagonally, one gourd on the left shoulder, the other on the right thigh.
How it is played
A recital is mostly alap, the slow, unaccompanied unfolding of a raga, often an hour or more, then jor and jhala, with pakhawaj joining for a bandish in chautal, dhamar or tivra. Chikari strokes between phrases hold tonic and fifth, and gamak gives a heavy pulse in the low strings. Asad Ali Khan's students and the Dagar family play it; outside dhrupad circles it is rare.
履歴
Rudra veenas appear in Sanskrit music texts from about the 10th century among the most prestigious plucked instruments, sacred to Rudra in theory, though its practice grew in the medieval courts. Under Mughal patronage it became the main carrier of dhrupad, slow, modal and rooted in raga.
The Senia gharana, named for Tansen (c. 1500–1589), Akbar's court musician, set its central teaching line in the 16th century; tradition credits Tansen with command of the instrument alongside his singing. His descendants and disciples carried it through the 17th and 18th centuries, and Dabir Khan's family into the 20th. Veena traditions also lived at the Jaipur and Rampur courts.
Zia Mohiuddin Dagar (1929–1990) trained with his father, Nasir Moinuddin Dagar, and brought the rudra veena back from near oblivion, with concerts of two to three hours, half of them alap, long even for dhrupad. His recordings of the 1970s and 1980s, many for All India Radio and later released, are still studied. Asad Ali Khan (1937–2011) of the Beenkar gharana of Jaipur, the other leading 20th-century player, kept a parallel line. Bahauddin Dagar continues the Dagar line, and students of both lines perform and teach in India and abroad.
How a rudra veena is made
The body, the dandi, is a hollow tube of bamboo or, on newer ones, seasoned teak or rosewood, 120–130 cm long, whose hollow carries vibration from the bridge to the gourds. Two large dried gourds, the tumba, sit below it, bound with lacquered thread on traditional instruments and with a ring, washer and nut on some others. Larger gourds resonate deeper but weigh more, and choosing gourds of even wall without cracks takes the most time.
The 21 to 24 frets, the parda, are brass plates on curved wooden bases set in wax, 24 on most concert models. Fixed frets cannot move for each raga but let the string be pushed further. Four heavy main strings and three chikari run from a bone nut to the tailpiece over a bone or deer-horn jawari bridge. The maker files it for hours to balance buzz and sustain, and redoes it with every new bridge and whenever a new string gauge differs. The mizrab is a thick bone or metal ring worn on the index finger, larger than a sitar's, with a wide flat tip for the heavier strings.
Zia Mohiuddin Dagar enlarged the gourds and tube with Kanailal & Brother, Kolkata.
At a glance
- Primary material
- Bamboo or teak tube with two large gourd resonators
- String system
- 4 main strings, 3 drone strings (chikari)
- Playing method
- Diagonal across the body; mizrab on the index finger; fixed brass frets
- Speciality
- Dhrupad alap; wide meend (pitch glide) of up to a fifth
- Tradition
- Hindustani classical (dhrupad; Senia and Dagar gharanas)
- Key figure
- Zia Mohiuddin Dagar
Full specifications
Physical dimensions
- Total instrument length
- 120–130 cm
- Gourd diameter
- 22–30 cm per gourd
- Tube diameter
- 4–6 cm
- Fret count
- 21–24 (24 fixed brass arches on most concert instruments)
- Weight
- 3–5 kg
Body & construction
- Tube material
- Bamboo (traditional) or teak or rosewood (modern)
- Resonators
- Two large dried gourds (tumba), one at each end
- Fret material
- Thick brass arches on curved wooden bases, set with wax into the tube
- Nut and tailpiece
- Bone nut at the upper end; metal tailpiece at the lower end
- Finish
- Lacquered thread binding at the gourd joints; polished tube
String system
- Main playing strings
- 4 (heavy-gauge steel or steel-wound bronze)
- Drone strings (chikari)
- 3
- Total strings
- 7 (8 with a separate laraj drone)
- String scale length
- Approx. 90–100 cm (nut to bridge)
- Bridge
- Bone or deer-horn jawari bridge
Playing equipment
- Plectrum name
- Mizrab
- Plectrum material
- Bone or wire-wound metal ring with a wide striking tip; traditional plectra on the first and second fingers
- Right-hand technique
- Downstroke (da) dominant; upstroke (ra) in jhala; little finger strums the chikari
- Left-hand technique
- Fingertip press behind the fret; sideways meend push up to a fifth
- Playing position
- Diagonal: upper gourd on the left shoulder, lower on the right thigh; in sukhasan one gourd rests on the floor
Acoustic characteristics
- Tonal character
- Deep bass with jawari buzz and long sustain
- Sustain
- Long (large gourd volume and fixed-tube resonance)
- Optimal use
- Dhrupad-ang alap in lower and middle octaves
- Dynamic range
- Soft to full bass projection
- Projection
- Medium (concert room; lower than amplified stage instruments)
Players
Ask us to book a rudra veena player for a concert, event or recording.
Book a rudra veena playerKeep exploring
More around the rudra veena
質問
Rudra Veena: common questions
Buying, learning, care and the instrument itself.
The rudra veena, called the bin or been in North India, is a plucked stick zither of Hindustani music. A hollow tube of bamboo or teak carries the frets and strings, with two calabash gourd resonators beneath. It has four melody strings and three chikari drone strings. The Met notes that it appears routinely in ragamala paintings and is closely associated with dhrupad. In the style of Asad Ali Khan and the Dagar family, the melody strings run Ma, Sa, a lower Pa and a lower Sa, and the chikari sound Sa in two higher octaves.
You can learn the rudra veena with KalaSudha online and in workshops, and beginners start at Foundation level. Foundation teaches the traditional posture, one gourd on the left shoulder and the other on the right thigh, and slow single strokes with the mizrab. Children learn with us as well as adults: ask us about a starting age and about a size for a younger learner.
Players returning after a long break start again where they left off. Our courses run in levels, and your teacher reviews where you stand first.
KalaSudha sells the rudra veena to players outside India, by quote or made to order, and delivers worldwide. We pack each instrument for international shipping; ask us about cases and insurance.
We service and repair any rudra veena, wherever you bought it, in any country. Strings and spare parts are available from us too. For help with your instrument after the sale, ask us through the chat on any page or at [email protected]. You can also ask us about gift vouchers, class sets for schools and flight cases for travel.
Museum examples of the rudra veena measure 125 to 143.5 cm overall, and the gourd resonators are about 34 to 37 cm across. One instrument in Berlin weighs 3.5 kg. The design of Zia Mohiuddin Dagar is larger: he enlarged the gourds and the hollow tube to gain resonance and longer sustain.
The documented 20th-century centre of rudra veena making is Kolkata. There the firm Kanailal & Brother built instruments to Zia Mohiuddin Dagar's enlarged design, and the maker Murari Adhikari (1934 to 2006) was co-designer of the enlarged instrument in the 1960s. The Horniman Museum holds a Kanailal & Brother instrument of about 1960 to 1980.
The name rudra veena, or rudra vina, means "the veena of Rudra", and Rudra is an epithet of Shiva. In North India the instrument is called the bin, also spelt been. Organologists class it as a stick zither, and the Met notes that it appears routinely in ragamala paintings, closely associated with dhrupad.
Players hold the rudra veena at a slant in front of the chest, with one gourd resting on the left shoulder and the other on the right knee, as Alain Daniélou describes in his notes for the UNESCO Collection. The two gourd resonators hang beneath the neck on metal tubes. The right hand plucks the strings with steel picks worn on the index, middle and little fingers.
Darbar names Asad Ali Khan and Zia Mohiuddin Dagar as the masters who kept the rudra veena's legacy alive, within the Khandarbani and Dagar traditions of dhrupad. Zia Mohiuddin Dagar's son, Mohi Bahauddin Dagar, is widely recognised as a virtuoso of the instrument and received the Sangeet Natak Akademi award in 2012. Darbar also names Jyoti Hegde as one of the few women to master it.
Tradition holds that the sage Bharata created the rudra veena, and that origin remains a legend. Alain Daniélou, in his UNESCO Collection notes, calls it the most ancient Indian fretted zither; its oldest known examples, from the 6th to 10th century, have one gourd. He adds that many 15th- and 16th-century paintings depict it. Today it belongs to dhrupad, carried by players of the Dagar and Khandarbani traditions.
The rudra veena of Hindustani music is a stick zither: a hollow tube with two large gourd resonators beneath it. The Saraswati veena of Carnatic music is a long-necked lute with fixed frets, its 24 frets set into a ridge of beeswax on the neck. The rudra veena is closely associated with dhrupad and is plucked with a wire plectrum on metal frets.
You can book a rudra veena player through KalaSudha for a concert, event or recording. A rudra veena recital is mostly alap, often an hour or more, and pakhawaj may join for a composition. Ask us through our page to book Indian classical musicians, and hear our artists in KalaSudha's recordings and concert videos.
A rudra veena carries four heavy main strings and three chikari drones, with a separate laraj drone on some instruments. The main strings take ma a fifth below the tonic, then sa, pa and upper sa, around a movable tonic: for example D2, A2, E3 and A3.
The chikari strings sound the tonic and fifth, and the player strums them with the little finger between phrases. Each session starts with a peg key, after 10 to 15 minutes for the strings to settle in a new room.
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