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Discover the rich melodic frameworks of Hindustani classical music

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14 ragas found

바게스리

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

타트: Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

부프

भूप

S R G P D S' | S' D P G R S

타트: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

부팔리

भूपाली

S R G P D S' | S' D P G R S

타트: Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

비하그

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

타트: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

하미르

हमीर

S G m P N S' | S' N D P m R S

타트: Kalyan Evening Shadava-Sampoorna
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.

힌돌

हिंडोल

S G M D N S' | S' N D M G S

타트: Kalyan Morning Audava-Audava
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.

조그

जोग

S G m P n S' | S' n P m g S

타트: Kafi Late evening Audava-Audava
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.

카모드

कामोद

S R G M P D N S' | S' N D P M G R S

타트: Kalyan Evening Sampoorna-Sampoorna
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.

케다르

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

타트: Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

난드

नन्द

S G m P D N P S' | S' N D P M P G m D P (m)R S G m

타트: Kalyan Evening Shadava-Sampoorna
Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.

슈다 칼리안

शुद्ध कल्याण

S R G P D n S' | S' n D P G P G R S 'n 'D S

타트: Kalyan Evening Shadava-Shadava
Shuddha Kalyan from Kalyan thaat, an evening raga with komal ni.

샤얌 칼리안

श्याम कल्याण

S R M# P N S' | S' N D P M# G m R, S

타트: Kalyan Late evening Audava-Sampoorna
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.