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Discover the rich melodic frameworks of Hindustani classical music

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62 ragas found

베하그

बिहाग

S G m P D N S' | S' N D P m G R S

타트: Bilawal Evening Shadava-Sampoorna
Behag from Bilawal thaat, a romantic evening raga with joyful mood.

바이라브

भैरव

S G m P (N) d* N S' | S' N S' (N)d* P m P G m (G)r* S'

타트: Bhairav Morning Shadava-Sampoorna
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.

바이라비

भैरवी

S r g m P d n Ṡ | Ṡ n d P m g r S

타트: Bhairavi Early morning Sampoorna-Sampoorna
Raga Bhairavi is a morning scale and the "Queen of Ragas." Using all four Komal notes, this Bhairavi Thaat masterpiece expresses deep devotion. Ideal for Thumris and concert finales.

빔팔라시

भीमपलासी

'n S g m P n S' | S' n D P D m P g m g R S

타트: Kafi Afternoon Audava-Sampoorna
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.

부프

भूप

S R G P D S' | S' D P G R S

타트: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

부팔리

भूपाली

S R G P D S' | S' D P G R S

타트: Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

비바스

विभास

S r G P d S' | S' d P G r S

타트: Bhairav Morning Audava-Audava
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.

비하그

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

타트: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

빌라스카니 토디

बिलासखानी तोड़ी

S r g P d S' | S' r' n d m g r g r S

타트: Bhairavi Morning Audava-Sampoorna
Bilaskhani Todi from Bhairavi/Todi thaat, named after Bilas Khan, son of Miyan Tansen.

빌라왈

बिलावल

S G R G m P D N S' | S' N D n D P m G R G m G R S

타트: Bilawal Morning Sampoorna-Sampoorna
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.

차루케시

चारुकेशी

S R G m P d n S' | S' n d P m G R S

타트: Kafi Afternoon Sampoorna-Sampoorna
Charukesi, a Carnatic seven-note raga with komal dha and ni.

차야나트

छायानट

S R R G m P P D P P S' | S' N D P m G m R S

타트: Bilawal Evening Shadava-Sampoorna
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.