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Discover the rich melodic frameworks of Hindustani classical music

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66 ragas found

진조티

झिंझोटी

S R G m P D S' | S' n D P D m G S R m G S R 'n 'D 'P 'D S

Night Shadava-Sampoorna
Jhinjhoti from Khamaj thaat, a purvanga-based raga with simple melodic form.

조그

जोग

S G m P n S' | S' n P m g S

타트: Kafi Late evening Audava-Audava
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.

카피

काफ़ी

S R g m P D n S' | S' n D P m g R S

타트: Kafi Night Sampoorna-Sampoorna
Kafi from Kafi thaat, the representative raga producing the most versatile melodies.

칼라바티

कलावती

S G P D n DS' | S' n D P G P G S

Evening Audava-Audava
Kalavati from Khamaj thaat, a pentatonic evening raga.

카모드

कामोद

S R G M P D N S' | S' N D P M G R S

타트: Kalyan Evening Sampoorna-Sampoorna
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.

케다르

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

타트: Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

카마즈

खमाज

S G m P D N S' | S' n D P m G R S

Night Shadava-Sampoorna
Khamaj from Khamaj thaat, widely used in Bengali and Vaisnava devotional music.

키르와니

किरवानी

S R g m P d N S' | S' N d P m g R S

Late night Sampoorna-Sampoorna
Symmetrical and soulful raga of the night. Known for its roots in the Carnatic Melakarta system, it utilises the Harmonic Minor scale (SRgmPdN). Defined by Karuna Rasa and a perfect tetrachordal balance, it is a global favorite for its deep emotional resonance and meditative purity.

랄리타

ललित

'N r G m M m G M D N S' | N r' N D M D M m G M G r S 'NS

타트: Marwa Late night Shadava-Shadava
Lalita from Marwa thaat, named after the gopi who wakes Krsna at night.

마두마드 사랑

मधुमाद सारंग

'n S R m P n S' | S' n P m R m R 'n S

Late night Audava-Audava
Madhumad Sarang from Khamaj thaat, a lighter version of Megha centered on ma and Pa.

마두반티

मधुवंती

S g M# P N S' | S' N D P M# g R S

타트: Todi Late afternoon Audava-Sampoorna
A majestic late-afternoon raga of the Todi Thaat. Featuring a dominant Pancham and Teevra Madhyama, it balances romantic Shringar Rasa with technical depth. Known globally for its similarity to the Ukrainian Dorian mode, it is the definitive melody of the "Golden Hour."

말카운스

मालकौंस

S g m d n S' | S' n d n d m g m g S 'n S

타트: Bhairavi Late night Audava-Audava
Malkauns from Bhairavi thaat, a devotional midnight raga created by Parvati.