കേദാർ
केदार
S M P, M P D n D P S' | S' D n D P, M P D P m,S R S
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.
രാഗങ്ങൾ അറിയാം
Discover the rich melodic frameworks of Hindustani classical music
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മാരു ബിഹാഗ്
मारू बिहाग
'N S G M P N S | S' N D P M G M G R S m G P M G M G R S
Maru Bihag from Bilawal thaat, an evening raga with devotional and loving mood.
മേഘ്
मेघ
S R m P n S' | S' n P m R S
An ancient, pentatonic monsoon raga of the Kafi Thaat. Defined by its thunderous majesty and deep Rishabh oscillations, it is the elemental sound of the rain. Known globally for its "Open Interval" geometry, it evokes Heroic and Devotional Rasas, making it the premier melody for the Indian monsoon.
നന്ദ്
नन्द
S G m P D N P S' | S' N D P M P G m D P (m)R S G m
Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.
നട് ഭൈരവ്
नट भैरव
S R G m P d N S' | S' N d P m G R S
Nat Bhairav from Bhairava thaat, a light purvanga-oriented morning raga.
പഹാഡി
पहाड़ी
S R G P D S' | S' D P G R S
Pahadi from Bilawal thaat, a simple pentatonic raga evoking mountain landscapes.
സാരംഗ്
सारंग
S R M P N S' | S' N P M R S
Sarang, the parent raga of the Saranga family for midday performance.
ശങ്കര
शंकरा
S G R G P N D S' | S' N D P G P G R S
Shankara from Bilawal thaat, an auspicious night raga from Carnatic system.
ശുദ്ധ കല്യാണ്
शुद्ध कल्याण
S R G P D n S' | S' n D P G P G R S 'n 'D S
Shuddha Kalyan from Kalyan thaat, an evening raga with komal ni.
ശ്യാം കല്യാണ്
श्याम कल्याण
S R M# P N S' | S' N D P M# G m R, S
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.
സിന്ധുറ
सिंधुरा
S R g m P D S' | S' D P m g R S
Sindhura from Kafi thaat, a peaceful meditative raga.
യമൻ
यमन
.N R G M# P D N S' | S' N D P M# G R S
The premier evening raga of the Kalyan Thaat. A complete heptatonic scale (Sampurna) featuring the Teevra Madhyama. Known as the Lydian mode of Indian music, it evokes peace, devotion, and auspiciousness. Perfect for beginning concerts, it is the foundational melody of Hindustani classical music.