Ragas of Hindustani Classical Music

भूप

S R G P D S' | S' D P G R S

थाट: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music.

विवरण हेर्नुहोस्

भूपाली

S R G P D S' | S' D P G R S

थाट: Kalyan Evening Audava-Audava

Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

विवरण हेर्नुहोस्

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

थाट: Kalyan Evening Audava-Shadava

Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

विवरण हेर्नुहोस्

हमीर

S R G m (N)D N S' | S' N D P M P D P G m R S

थाट: Kalyan Evening Shadava-Sampoorna

Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.

विवरण हेर्नुहोस्

हिंडोल

S G M D N M D S' | S' D M D N D M G M G S

थाट: Kalyan Early evening Audava-Audava

Hindol from Kalyana thaat, a spring time janak raga with four primary notes.

विवरण हेर्नुहोस्

कामोद

S R G M P D N S' | S' N D P M G R S

थाट: Kalyan Evening Sampoorna-Sampoorna

Kamod from Kalyan thaat, a romantic evening raga with devotional mood.

विवरण हेर्नुहोस्

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

थाट: Kalyan Evening Audava-Shadava

Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

विवरण हेर्नुहोस्

नन्द

S G m P D N P S' | S' N D P M P G m D P (m)R S G m

थाट: Kalyan Evening Shadava-Sampoorna

Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.

विवरण हेर्नुहोस्

शुद्ध कल्याण

S R G P D n S' | S' n D P G P G R S 'n 'D S

थाट: Kalyan Evening Shadava-Shadava

Shuddha Kalyan from Kalyan thaat, an evening raga with komal ni.

विवरण हेर्नुहोस्

शुद्ध सारंग

'N S R M P N S' | S N P M P R m R S 'N S

थाट: Kalyan Late night Audava-Audava

Shuddha Sarang from Kalyana thaat, a pentatonic Saranga raga.

विवरण हेर्नुहोस्

श्याम कल्याण

S R M# P N S' | S' N D P M# G m R, S

थाट: Kalyan Late evening Audava-Sampoorna

A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.

विवरण हेर्नुहोस्

यमन

.N R G M# P D N S' | S' N D P M# G R S

थाट: Kalyan Early evening Sampoorna-Sampoorna

The premier evening raga of the Kalyan Thaat. A complete heptatonic scale (Sampurna) featuring the Teevra Madhyama. Known as the Lydian mode of Indian music, it evokes peace, devotion, and auspiciousness. Perfect for beginning concerts, it is the foundational melody of Hindustani classical music.

विवरण हेर्नुहोस्

रागहरू अन्वेषण गर्नुहोस्

भूप

भूपाली

बिहाग

हमीर

हिंडोल

कामोद

केदार

नन्द

शुद्ध कल्याण

शुद्ध सारंग

श्याम कल्याण

यमन

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