Abhogi
अभोगी
S R g m D S' | S' D m g R S
Abhogi from Kafi thaat, a Carnatic-derived pentatonic raga close to Bagesri.
Ontdek raga's
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Ahir Bhairava
अहीर भैरव
S R G m P D n S' | S' n D P m G R S
Ahir Bhairava from Bhairava thaat, combining Bhairavanga and Ahiranga phrases.
Bageshri
बागेश्री
.n S g M D n S' | S' n D M P D m G R S
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.
Bahar
बहार
S R g m P D n S' | S' n D P m g R S
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.
Bairagi
बैरागी
S r m P n S' | S' n P m P m r S 'n S
Bairagi from Bhairava thaat, a devotional pentatonic raga with Lord Siva hymns.
Basanta Mukhari
बसन्त मुखारी
S R g M P D N S' | S' N D P M g R S
Basanta Mukhari from Bhairava thaat, face of spring with lighter compositions.
Bhairav
भैरव
S r G M P d N S' | S' N d P M G r S
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.
Bhimpalasi
भीमपलासी
S g M P n S' | S' n d P M g R S
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.
Bibhas
विभास
S r G P d S' | S' d P G r S
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.
Chandrakauns
चन्द्रकौंस
'N S g m d N S | S' N d m g m g S 'N S
Chandrakauns, a Carnatic-derived pentatonic raga similar to Malkauns with suddha ni.
Charukesi
चारुकेशी
S R G m P d n S' | S' n d P m G R S
Charukesi, a Carnatic seven-note raga with komal dha and ni.
Gaud Malhar
गौड़ मल्हार
S R g m P D n S' | S' n D P m g R S
Gaud Malhar from Kafi thaat, a refreshing monsoon raga celebrating rain.