Ontdek raga's

Discover the rich melodic frameworks of Hindustani classical music

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66 ragas found

Abhogi

अभोगी

S R g m D S' | S' D m g R S

Thaat: Kafi Morning Audava-Audava
Abhogi from Kafi thaat, a Carnatic-derived pentatonic raga close to Bagesri.

Adana

आदाना

'N S g m P d n S' | S' n d P m g R S

Thaat: Asavari Late evening Sampoorna-Sampoorna
Adana from Asavari thaat, similar to Darbari without andolans on ga and dha.

Bageshri

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

Thaat: Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

Bahar

बहार

S R g m P D n S' | S' n D P m g R S

Thaat: Kafi Afternoon Sampoorna-Sampoorna
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.

Basant Bahar

बसन्त बहार

S R g M P D N S' | S' N D P M g R S

Thaat: Purvi Afternoon Sampoorna-Sampoorna
Basant Bahar from Purvi thaat, combining Basant and Bahar to celebrate spring.

Basanta

बसन्त

S R g M P D N S' | S' N D P M g R S

Thaat: Purvi Afternoon Sampoorna-Sampoorna
Basanta from Purvi thaat, a spring time raga with uttaranga orientation.

Behag

बिहाग

S G M P N S' | S' N D P M G R S

Thaat: Bilawal Late evening Audava-Sampoorna
Behag from Bilawal thaat, a romantic evening raga with joyful mood.

Bhimpalasi

भीमपलासी

S g M P n S' | S' n d P M g R S

Thaat: Kafi Afternoon Audava-Sampoorna
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.

Bhoop

भूप

S R G P D S' | S' D P G R S

Thaat: Kalyan Late afternoon Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

Bhupali

भूपाली

S R G P D S' | S' D P G R S

Thaat: Kalyan Late afternoon Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

Bihag

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

Thaat: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

Chandrakauns

चन्द्रकौंस

'N S g m d N S | S' N d m g m g S 'N S

Thaat: Kafi Night Audava-Audava
Chandrakauns, a Carnatic-derived pentatonic raga similar to Malkauns with suddha ni.