Ontdek raga's

Discover the rich melodic frameworks of Hindustani classical music

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58 ragas found

Kedar

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

Thaat: Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

Khamaj

खमाज

S G m P D N S' | S' n D P m G R S

Night Shadava-Sampoorna
Khamaj from Khamaj thaat, widely used in Bengali and Vaisnava devotional music.

Kirwani

किरवानी

S R g m P d N S' | S' N d P m g R S

Late night Sampoorna-Sampoorna
Symmetrical and soulful raga of the night. Known for its roots in the Carnatic Melakarta system, it utilises the Harmonic Minor scale (SRgmPdN). Defined by Karuna Rasa and a perfect tetrachordal balance, it is a global favorite for its deep emotional resonance and meditative purity.

Lalita

ललित

'N r G m M m G M D N S' | N r' N D M D M m G M G r S 'NS

Thaat: Marwa Late night Shadava-Shadava
Lalita from Marwa thaat, named after the gopi who wakes Krsna at night.

Madhumad Sarang

मधुमाद सारंग

'n S R m P n S' | S' n P m R m R 'n S

Late night Audava-Audava
Madhumad Sarang from Khamaj thaat, a lighter version of Megha centered on ma and Pa.

Malkauns

मालकौंस

S g m d n S' | S' n d n d m g m g S 'n S

Thaat: Bhairavi Late night Audava-Audava
Malkauns from Bhairavi thaat, a devotional midnight raga created by Parvati.

Mand

मांड

S G m P D N S' | S' S' N D P D P N D P G m G R S

Thaat: Bilawal Night Shadava-Sampoorna
Mand from Bilawal thaat, a Rajasthani raga with zig-zag descent and free form.

Maru Bihag

मारू बिहाग

'N S G M P N S | S' N D P M G M G R S m G P M G M G R S

Thaat: Bilawal Evening Audava-Sampoorna
Maru Bihag from Bilawal thaat, an evening raga with devotional and loving mood.

Marwa

मारवा

S r G M# D N S' | S' N D M# G r S

Thaat: Marwa Early evening Shadava-Shadava
A profound twilight raga of the Marwa Thaat. Defined by its unsettling Vadi of Komal Re (r) and the omission of Pancham (Pa), it captures the spirit of Tyaga (renunciation). Performable at sunset, it is known globally for its "Centrifugal" geometry that pushes away from the tonic, creating a restless, mystical atmosphere.

Mishra Shivaranjani

मिश्र शिवरंजनी

S R g P D S' | S' D P g R S (Mishra: +G, +n, +m)

Thaat: Kafi Late night Audava-Audava
A haunting midnight raga of the Kafi Thaat. Distinguished by its pentatonic core (S R g P D) and the artistic addition of chromatic "Mishra" swaras. It is the premier melody for Karuna Rasa (Pathos), known globally for its resemblance to the soulful intervals of Blues and Jazz ballads.

Miyan Ki Malhar

मियां की मल्हार

'n S R m P 'n S' | S' R' n P m R 'n S

Thaat: Kafi Late night Audava-Audava
Miyan Ki Malhar from Kafi thaat, Tansen's famous monsoon raga depicting thunderstorms.

Multani

मुल्तानी

'N S g M P N S' | S' N d P M P d M g M g r S

Thaat: Todi Evening Audava-Sampoorna
Multani from Todi thaat, an evening raga with extremely flattened komal re.