Abhogi
अभोगी
S R g m D S' | S' D m g R S
Abhogi from Kafi thaat, a Carnatic-derived pentatonic raga close to Bagesri.
Ontdek raga's
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Alhaiya Bilawal
अलैया बिलावल
S R G m P D N S' | S' N D P m G R S
Alhaiya Bilawal from Bilawal thaat, a serene morning raga with devotional character.
Bageshri
बागेश्री
.n S g M D n S' | S' n D M P D m G R S
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.
Bahar
बहार
S R g m P D n S' | S' n D P m g R S
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.
Behag
बिहाग
S G M P N S' | S' N D P M G R S
Behag from Bilawal thaat, a romantic evening raga with joyful mood.
Bhimpalasi
भीमपलासी
S g M P n S' | S' n d P M g R S
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.
Bhoop
भूप
S R G P D S' | S' D P G R S
As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music.
Bhupali
भूपाली
S R G P D S' | S' D P G R S
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.
Bihag
बिहाग
'N S G m P N S' | S' N (D) P M P G m G R S
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.
Bilawal
बिलावल
S G R G m P D N S' | S' N D n D P m G R G m G R S
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.
Chandrakauns
चन्द्रकौंस
'N S g m d N S | S' N d m g m g S 'N S
Chandrakauns, a Carnatic-derived pentatonic raga similar to Malkauns with suddha ni.
Charukesi
चारुकेशी
S R G m P d n S' | S' n d P m G R S
Charukesi, a Carnatic seven-note raga with komal dha and ni.