Explorar ragas

Discover the rich melodic frameworks of Hindustani classical music

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13 ragas found

Bhoop

भूप

S R G P D S' | S' D P G R S

Thaat: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

Bhupali

भूपाली

S R G P D S' | S' D P G R S

Thaat: Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

Bihag

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

Thaat: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

Hameer

हमीर

S R G m (N)D N S' | S' N D P M P D P G m R S

Thaat: Kalyan Evening Shadava-Sampoorna
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.

Hindol

हिंडोल

S G M D N M D S' | S' D M D N D M G M G S

Thaat: Kalyan Early evening Audava-Audava
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.

Kamod

कामोद

S R G M P D N S' | S' N D P M G R S

Thaat: Kalyan Evening Sampoorna-Sampoorna
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.

Kedar

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

Thaat: Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

Nand

नन्द

S G m P D N P S' | S' N D P M P G m D P (m)R S G m

Thaat: Kalyan Evening Shadava-Sampoorna
Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.

Shuddha Kalyan

शुद्ध कल्याण

S R G P D n S' | S' n D P G P G R S 'n 'D S

Thaat: Kalyan Evening Shadava-Shadava
Shuddha Kalyan from Kalyan thaat, an evening raga with komal ni.

Shuddha Sarang

शुद्ध सारंग

'N S R M P N S' | S N P M P R m R S 'N S

Thaat: Kalyan Late night Audava-Audava
Shuddha Sarang from Kalyana thaat, a pentatonic Saranga raga.

Shyam Kalyan

श्याम कल्याण

S R M# P N S' | S' N D P M# G m R, S

Thaat: Kalyan Late evening Audava-Sampoorna
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.

Yaman

यमन

.N R G M# P D N S' | S' N D P M# G R S

Thaat: Kalyan Early evening Sampoorna-Sampoorna
The premier evening raga of the Kalyan Thaat. A complete heptatonic scale (Sampurna) featuring the Teevra Madhyama. Known as the Lydian mode of Indian music, it evokes peace, devotion, and auspiciousness. Perfect for beginning concerts, it is the foundational melody of Hindustani classical music.