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Discover the rich melodic frameworks of Hindustani classical music

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66 ragas found

Чарукеси

चारुकेशी

S R G m P d n S' | S' n d P m G R S

Тхаат: Kafi Afternoon Sampoorna-Sampoorna
Charukesi, a Carnatic seven-note raga with komal dha and ni.

Чхаянат

छायानट

S R R G m P P D P P S' | S' N D P m G m R S

Тхаат: Bilawal Evening Shadava-Sampoorna
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.

Деш

देश

S R m P N S' | S' n D P m G R , G .N S

Тхаат: Khamaja Late evening Audava-Sampoorna

Raag Desh is a cultural icon of the Indian sub-continent. Belonging to the Khamaj Thaat, it is a "Chanchal" (playful) and "Abhisarika" raga that captures the essence of the Indian landscape.

Дурга

दुर्गा

S R m P D S' | S' D m P D m R 'D S

Тхаат: Bilawal Evening Audava-Audava
Durga from Bilawal thaat, a pentatonic raga with Re-Dha harmonic pair.

Гауд Малхар

गौड़ मल्हार

S R g m P D n S' | S' n D P m g R S

Тхаат: Kafi Late night Sampoorna-Sampoorna
Gaud Malhar from Kafi thaat, a refreshing monsoon raga celebrating rain.

Гаур Саранг

गौर सारंग

S G R m G P M D P S' | S' N D P M P m G R G R m G P R S

Тхаат: Kalyan Midday Shadava-Sampoorna
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.

Хамир

हमीर

S R G m (N)D N S' | S' N D P M P D P G m R S

Тхаат: Kalyan Evening Shadava-Sampoorna
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.

Хансдхвани

हंसध्वनी

S R G P N S' | S' N P G R S

Тхаат: Bilawal Late evening Audava-Audava
A brilliant, auspicious pentatonic raga of the Bilawal Thaat. Originating from the Carnatic tradition, it utilizes SRGPN to create an atmosphere of joy and devotion. Known globally for its radiant "Angel Scale" geometry, it is the premier melody for invoking positivity and spiritual clarity.

Хиндол

हिंडोल

S G M D N M D S' | S' D M D N D M G M G S

Тхаат: Kalyan Early evening Audava-Audava
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.