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Discover the rich melodic frameworks of Hindustani classical music

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37 ragas found

Бихаг

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

Тхаат: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

Билавал

बिलावल

S G R G m P D N S' | S' N D n D P m G R G m G R S

Тхаат: Bilawal Morning Sampoorna-Sampoorna
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.

Чарукеси

चारुकेशी

S R G m P d n S' | S' n d P m G R S

Тхаат: Kafi Afternoon Sampoorna-Sampoorna
Charukesi, a Carnatic seven-note raga with komal dha and ni.

Чхаянат

छायानट

S R R G m P P D P P S' | S' N D P m G m R S

Тхаат: Bilawal Evening Shadava-Sampoorna
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.

Дешкар

देशकार

S R G P D S' | S' D P R G R S'D S

Тхаат: Bilawal Morning Audava-Audava
Deshkar from Bilawal thaat, uttaranga-oriented pentatonic raga similar to Bhupali.

Дурга

दुर्गा

S R m P D S' | S' D m P D m R 'D S

Тхаат: Bilawal Evening Audava-Audava
Durga from Bilawal thaat, a pentatonic raga with Re-Dha harmonic pair.

Гаур Саранг

गौर सारंग

S G R m G P M D P S' | S' N D P M P m G R G R m G P R S

Тхаат: Kalyan Midday Shadava-Sampoorna
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.

Хамир

हमीर

S R G m (N)D N S' | S' N D P M P D P G m R S

Тхаат: Kalyan Evening Shadava-Sampoorna
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.

Хансдхвани

हंसध्वनी

S R G P N S' | S' N P G R S

Тхаат: Bilawal Late evening Audava-Audava
A brilliant, auspicious pentatonic raga of the Bilawal Thaat. Originating from the Carnatic tradition, it utilizes SRGPN to create an atmosphere of joy and devotion. Known globally for its radiant "Angel Scale" geometry, it is the premier melody for invoking positivity and spiritual clarity.

Хиндол

हिंडोल

S G M D N M D S' | S' D M D N D M G M G S

Тхаат: Kalyan Early evening Audava-Audava
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.

Джог

जोग

S G m P n S' | S' n P m g S

Тхаат: Kafi Late evening Audava-Audava
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.

Камод

कामोद

S R G M P D N S' | S' N D P M G R S

Тхаат: Kalyan Evening Sampoorna-Sampoorna
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.