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Discover the rich melodic frameworks of Hindustani classical music

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21 raga found

Кедар

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

Тхаат: Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

Нанд

नन्द

S G m P D N P S' | S' N D P M P G m D P (m)R S G m

Тхаат: Kalyan Evening Shadava-Sampoorna
Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.

Шьям Кальян

श्याम कल्याण

S R M# P N S' | S' N D P M# G m R, S

Тхаат: Kalyan Late evening Audava-Sampoorna
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.

Яман

यमन

.N R G M# P D N S' | S' N D P M# G R S

Тхаат: Kalyan Early evening Sampoorna-Sampoorna
The premier evening raga of the Kalyan Thaat. A complete heptatonic scale (Sampurna) featuring the Teevra Madhyama. Known as the Lydian mode of Indian music, it evokes peace, devotion, and auspiciousness. Perfect for beginning concerts, it is the foundational melody of Hindustani classical music.

Яман Кальян

यमन कल्याण

'N R G M D N S' | S' N D P M G m G R S

Тхаат: Kalyan Evening Shadava-Sampoorna
Yaman Kalyan from Kalyan thaat, a lighter version of Yaman with additional suddha ma.