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Discover the rich melodic frameworks of Hindustani classical music

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26 ragas found

Хиндол

हिंडोल

S G M D N M D S' | S' D M D N D M G M G S

Тхаат: Kalyan Early evening Audava-Audava
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.

Камод

कामोद

S R G M P D N S' | S' N D P M G R S

Тхаат: Kalyan Evening Sampoorna-Sampoorna
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.

Кедар

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

Тхаат: Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

Манд

मांड

S G m P D N S' | S' S' N D P D P N D P G m G R S

Тхаат: Bilawal Night Shadava-Sampoorna
Mand from Bilawal thaat, a Rajasthani raga with zig-zag descent and free form.

Мару Бихаг

मारू बिहाग

'N S G M P N S | S' N D P M G M G R S m G P M G M G R S

Тхаат: Bilawal Evening Audava-Sampoorna
Maru Bihag from Bilawal thaat, an evening raga with devotional and loving mood.

Нанд

नन्द

S G m P D N P S' | S' N D P M P G m D P (m)R S G m

Тхаат: Kalyan Evening Shadava-Sampoorna
Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.

Пахади

पहाड़ी

S R G P D S' | S' D P G R S

Тхаат: Bilawal Morning Audava-Audava
Pahadi from Bilawal thaat, a simple pentatonic raga evoking mountain landscapes.

Шанкара

शंकरा

S G R G P N D S' | S' N D P G P G R S

Тхаат: Bilawal Evening Shadava-Shadava
Shankara from Bilawal thaat, an auspicious night raga from Carnatic system.

Шьям Кальян

श्याम कल्याण

S R M# P N S' | S' N D P M# G m R, S

Тхаат: Kalyan Late evening Audava-Sampoorna
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.