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Discover the rich melodic frameworks of Hindustani classical music

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38 ragas found

Миян Ки Малхар

मियां की मल्हार

'n S R m P 'n S' | S' R' n P m R 'n S

Тхаат: Kafi Late night Audava-Audava
Miyan Ki Malhar from Kafi thaat, Tansen's famous monsoon raga depicting thunderstorms.

Нанд

नन्द

S G m P D N P S' | S' N D P M P G m D P (m)R S G m

Тхаат: Kalyan Evening Shadava-Sampoorna
Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.

Патдип

पतदीप

'N S g m P N S' | S' N D P m g R S 'N S g R S

Тхаат: Kafi Night Audava-Sampoorna
Patdeep from Kafi thaat, a Carnatic-derived raga with only suddha Ni.

Пилу

पीलू

S R g m P D n S' | S' n D P m g R S

Тхаат: Kafi Night Sampoorna-Sampoorna
Pilu from Kafi thaat, a versatile romantic raga used in thumri and light classical.

Шанкара

शंकरा

S G R G P N D S' | S' N D P G P G R S

Тхаат: Bilawal Evening Shadava-Shadava
Shankara from Bilawal thaat, an auspicious night raga from Carnatic system.

Шьям Кальян

श्याम कल्याण

S R M# P N S' | S' N D P M# G m R, S

Тхаат: Kalyan Late evening Audava-Sampoorna
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.

Яман

यमन

.N R G M# P D N S' | S' N D P M# G R S

Тхаат: Kalyan Early evening Sampoorna-Sampoorna
The premier evening raga of the Kalyan Thaat. A complete heptatonic scale (Sampurna) featuring the Teevra Madhyama. Known as the Lydian mode of Indian music, it evokes peace, devotion, and auspiciousness. Perfect for beginning concerts, it is the foundational melody of Hindustani classical music.